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#76
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Come and Not That Funny live were so long, maybe they just felt like 12 minutes. Each. I thought Big Love was all Lindsey, and same thing with the Ledge and Walk a Thin Line- weren't all three songs recorded at Lindsey's home studio? None of the other band members are on those songs. |
#77
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Michele |
#78
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Source on him insisting on using Stevie's backup singers? All I've ever heard was that he wanted another guitarist (who, ironically, was going to be Billy Burnette if he had stayed, from what Mick said at the time). As for the lounge act, he walked that back after doing his first solo tour.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#79
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They were definately on Walk a thin line. To my knowledge, the only Tusksong that is only Lindsey is The Ledge. The rest are all remakes of his homerecordings with the band in the studio. But whatever, they were Fleetwood mac songs. If Lindsey plays big love on his own doesn't make it a solosong. You talk about 12 minute solo's. That's rediculous. Those songs have substantial vocalsections or other instrumental parts than guitarsolo's. Come and I'm So afraid were together in the set only one FM-tour, in 2003/4. In a two and a half hour plus show, two five minute guitarsolo's. Nothing out of the ordinary rockshow. Gold Dust Woman lasts equally long, or even longer. I saw Stevie solo after The Other Side of The Mirror. Do you have ANY idea how long Edge of Seventeen lasted? Including a lengthy guitarsolo? Still, that was the ONLY hightlight during a flat boring lounge act, even supported by a spinecringingly bad loungeset from Richard Marx, of all people. Aweful. What a waste of time and money.
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.......................................................................................... Last edited by shackin'up; 09-28-2016 at 06:14 PM.. |
#80
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Lindsey wanted the backup singers, but Fleetwood Mac kept them. Nothing wrong with that, no matter whose idea it was.
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#81
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Again, what's your source on that?
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#82
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reminds me of a family guy..
Peter: I read it in a book. Brian: Are you sure you read it in a book? Are you sure it wasn't 'nothing'? Peter: Oh yeah..
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#83
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Sourcing isn't hard . . .
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#84
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Did any of the other band members play on Make Me a Mask? |
#85
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Michele |
#86
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They did have an additional guitar player as early as the Mirage tour though, right? Thought I read that in an article recently.
Didn't know LB wanted to beef up the band back then like that - singers or Billy Burnette - totally interesting.
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#87
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Well, "Rumours" tour, but that was Ray Lindsey, whose primary job was Lindsey's guitar tech. He only played on a handful of songs.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#88
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I'm pretty sure he was on the Mirage tour.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#89
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It was an interview with Mick, and he said adding back up singers was Lindsey's idea, and that they agreed to it. I cannot remember the name of the magazine, but it was right before the tour began. I am 100% certain about this. Mick said the band was willing to do anything to get Lindsey to tour, from adding the back up singers to only being on the road for 2 months. When Lindsey backed out, they increased the tour dates and added the back up singers. Adding a guitarist, they did that on the Mirage tour, so that was nothing new. I don't remember if adding another percussionist was Lindsey's idea or not.
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#90
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He was. I was saying that Ray playing with the band started on the "Rumours" tour. He did that through the "Shake The Cage" (TITN) tour (at least on GYOW).
However, Ray wasn't a full fixture on stage and only played on a few songs when Lindsey was in the band, not like Neale.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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