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1982-1987
Lindsey started publicly saying he was leaving in 1987, but from 1982-1987 he didn't want to tour and I guess he knew that if they did an album, they'd have to tour, so he wasn't keen on doing an album, especially if it was going to be an album he didn't like. Finally, Mick told him that the band had to go forward and kind of pushed him into TITN.
Here's some stuff around that 1982-1987 era. Stevie said iin 1987 about Lindsey saying he was quitting: Quote:
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#2
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1982-1987
March 1985, asked about the band, Lindsey says:
Buckingham: No. We’re still together. FACES: Speaking of the band, do you consider their songs to be your songs? Buckingham: To some degree, Stevie’s song’s are my songs . . . Christine’s songs are my songs. If I had to choose one function or contribution that I have brought to the band, the most important one, I think, is not as a writer or a guitarist but someone who creates records and who has a certain way of making records, and a certain vision of doing that. In a sense to be able to take a raw song of Christine’s or Stevie’s and to be able to arrange it properly, to make it into a finished product, is pretty much what I’ve always done for the band. FACES: Would you feel unhappy by limiting yourself to studio work and not touring? Buckingham: No. I don’t think so. I have a good time on stage but the challenge of being on the road, the repetition of being on stage every night, is to try to appear fresh. Being in the studio is far more of a growing process or a creative process. I enjoy working on my own as well. When you’re playing all the instruments like I do, it’s a far more intimate relationship than a band situation. I think in a couple of years I’ll be producing more. I think the recording studio is just like another instrument . . . if you play it properly. It’s just like what Phil Spector was dong. He understood that. It’s very important to have that sensibility, in pop anyway. I’m a studio animal. FACES: Was that the reason for an experimental album? Buckingham: I consider myself to be a colorist. I use a Fairlight CMI all the time. I was using the colors that were there. I play guitar but I approach the music as the guitar is just one tool. It’s like a painting. Hopefully, you know when to stop. FACES: By having solo projects outside of the band is the bond strengthened between you? Buckingham: You spend eight years with four other people and you’re constantly thinking of the needs of the whole rather than the needs of the individual. It’s like being married to four other people. The pressures of that can be pretty immense. I don’t know if solo works strengthens the bond but it does let off some of the steam, take some of the pressures off. It’s a safety valve in a sense. I think it helped to keep the band going. Thanks to Lesley Thode for the submission. |
#3
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Lindsey Detroit Free Press 11/14/1984
http://www.fleetwoodmac.net/bla/inde...x_v2&id=66&c=9 "Go Insane" has solidified the feeling. In putting the painful breakup of his six-year relationship with Carol Ann Harris on vinyl ("I could be flip about it and say it was cheaper and more fun than going to a shrink," he said, "and probably had better results."), Buckingham broke completely free of the Fleetwood Mac camp for the first time in nine years. For starters, he played all the instruments himself, and produced "Go Insane" without longtime Mac producer and close friend Richard Dashut, who was "completely burnt out" from working on Fleetwood's last project. "The whole thing of punching out of the Fleetwood Mac microcosm was very cathartic," Buckingham explained. "I came away feeling very good, not only for having addressed the things that were going on in my life, but having gotten into a different working situation that I found quite healthy." OF COURSE, that leads into the question of whether Buckingham -- having found happiness outside of Fleetwood Mac -- can bring himself back into the band again. "That's a very good question," he said. "The whole idea of that is very odd to me right now; I feel so far away from it. I always feel I have approached the whole thing altruistically, putting the needs of the whole above the needs of the individual. But I'm approaching things slightly less altruistically at the moment. "Like a lot of people, I suspect, I'm real interested to see how it works out," he added. "Because to tell the truth, I've got a whole other album worked out in my head. The best thing I could do, really, is to go back in the studio and do another album on the heels of this." |
#4
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Rolling Stone on Lindsey's uniform in 1984
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#5
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Lindsey in 1987
http://www.fleetwoodmac.net/bla/inde...x_v2&id=74&c=9 Buckingham's decision to leave the band he and Miss Nicks joined in 1975 is a result of both his solo work and a lack of desire to re-create the music that he has helped shape and that has sold about 27 million copies of six Fleetwood Mac albums. "I'm not a big fan of touring," he said during a recent telephone interview from his Los Angeles home. "I would love to put together an outrageous theatrical-type show and go out on the road again solo, but the idea of going out and doing our hits again is not appealing to me. "I feel like I'm coming to the most creative time of my life, " he said. "There's got to be a point where I can say, `This has been fun, guys,' and get on with something else." Buckingham, a 37-year-old California native, has released two solo albums and was at work on a third when he shelved it to help with the band's 16-week-old album, "Tango in the Night," which is No. 20 on Billboard's pop chart and has sales of more than 1 million. "I was about halfway through my solo work, and I put that down to do this, because the needs of the many outweighed the needs of the few at that point. We ended up using some things that were going on my solo album . . .," he said. Mrs. McVie, Mick Fleetwood's ex-wife, had responded by joking that she'd "break his arms" if Buckingham refused to tour but then admitted that the realization there was little chance Buckingham would tour was "quite a shock." "But that doesn't mean there won't be a Fleetwood Mac," she said during a telephone interview from her Los Angeles home. Unlike Buckingham, Mrs. McVie and the other members believe touring is vital to continued airplay and sales of "Tango in the Night." " I think we absolutely must tour," she said. "People must follow up an album with a tour." Buckingham scoffs at that theory. "That's record companies doing that kind of talking," he said. "There's no reason you can't put out an album and let it speak for itself." It's doubtful that "Tango in the Night" will match the success of "Rumors," the second album recorded by the band after guitarist- singer Bob Welch left and was replaced by Buckingham and Miss Nicks, who were then lovers. "Rumors," released in early '77, has sold more than 20 million copies - a figure since matched only by Michael Jackson' s "Thriller," Carole King's "Tapestry" and the "Saturday Night Fever" sound track. In addition, "Rumors" was No. 1 on Billboard's album chart for 31 weeks - a run exceeded only by Jackson's "Thriller" - and it produced four No. 1 singles en route to winning a Grammy for Best Album of the Year. Its predecessor, "Fleetwood Mac," also went to No. 1, but sales stopped at about 6 million. After "Rumors," the band released "Tusk" in '79, "Live" in '80 and "Mirage" in '82. "Mirage" had sales of more than 3 million, but it didn't please the band members, all of whom but McVie were working on or planning solo records. "I will say that I did not want to leave this situation on the note struck by `Mirage,' " Buckingham said in the telephone interview. "It was kind of ambiguous, but I would feel comfortable leaving having struck this `Tango'note." He noted, too, that Fleetwood Mac, a blues band fronted by Peter Green when it made its debut in London in '67, has never been a model of stability. "As far as the band going on," Buckingham said, "Mick and John go back to the '60s when Fleetwood Mac began. They'd been through God knows how many incarnations before Stevie and I joined. "For them to keep it going doesn't seem out of the realm of possibility." With the possible exception of Fleetwood, who declared bankruptcy in the early '80s, money no longer is a motivation for the band. "No one is going to kick money out the door," Mrs. McVie said, "but I can say that, because I'm very so lvent." Buckingham says he can easily afford to wait for "Tango in the Night" to run its course before releasing his solo album next year. "I've got the luxury of spending eight or 10 months before I think about putting out a solo album," he said. "This album's going to have a nice long run, and there's no reason for me to compete with myself. "Hey, I've been a team player. I've concentrated on things that were supportive and contributions that were valid in the context of the group. I haven't hurt anybody, and I've done my best for the group." |
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i'm looking fw to reading all this!
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#7
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This era was a bitter pill for Fleetwood Mac fans, although we did get ample solo work. 5 years between records is a LONG time and to make it worse the tour did not include Lindsey.
In Mick's first book he alleges that Stevie's people purposely kept her away from the band because she was such a successful solo artist. Stevie did not even socialize with band members that much during this era. It was sad to read Christine's 1984 Rolling Stone article where she said she was not close with Stevie anymore and they had not spoken in well over a year.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#8
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quotes from Lindsey, such as this one from 1984 that is stated in several different ways in interviews posted above, seem to imply that while he wanted to do solo projects because FM was somewhat stifling to his creative side, he was always putting being a team player and potential for band's album first: "There will be a lot of pressure in the next few months to do another Fleetwood Mac album, and I would like to do another if we can make another major statement." so in 1984 Lindsey thought FM should do another album, and Christine says she has been working with all FM members except hasn't heard from Stevie in well over a year. sounds familiar?
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#9
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#10
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I posted an interview quote from Lindsey in the Lindsey forum in the Christine and Lindsey thread where he said sometimes when he and Christine play instruments together, it's like they have one brain. I liked that.
Michele |
#11
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I didn't know that Richard was "completely burnt out" after Mirage. I don't remember reading anything to that effect on his blog. Interesting.
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#12
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So, not much has changed since 1984.
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#13
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The thing that strikes me the most odd and still baffles me to this day is why Lindsey never released his next solo album until 1993. He says in one of those articles he intended to release a solo record in 1988. I wonder what he was doing in all that time?
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#14
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how times have changed......
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#15
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Yet, there's so many people that don't want them to have any connection, or deny that it exists. I think these two had the strongest connection in the band, at least musically. Sexually .. ewww.. no..
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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