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Mirage Tour Video version of GYOW...just plain excellence...Lindsey really nails it...
"Tell me why, EVERYTHING TURNED AROUND...packing up, shacking up's all you wanna do...if I could, BABY I'D *GIVE* *YOU* *MY* *WORRRRLDDD*, open up, everything's waiting for YOU!" I also enjoy Stevie's part in the last verse. It's my absolute favorite live performance of this song...just wish the last guitar solo was longer. |
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I <333333333333333 this version of the song. GYOW is one of the best songs of all time by anyone. Nuff said. |
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http://www.youtube.com/?v=0fJStdA88dI |
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I wish they played it more on the radio over here, instead we always get Everywhere. I love GYOW. I do think though that it is one of the few songs that I prefer on the album rather than live. Some live versions come very close though.
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Ah, "Go Your Own Way." This is a song I've had a love-hate-like-love relationship with over the years.
There was a while I couldn't stand this song because it was Lindsey telling Stevie off, but I decided to suck it up and sing it at karaoke one night because one of my friends loves that song. Now it's one of those songs I do occasionally. I don't do it all the time because I don't want the song to be one of those that I go through the motions on. When I sing it, I want to be in character, meaning *angry*. I also want to be up there doing crazy guitar, running around the stage, etc. I can only do that every once in a while. But when I do sing "Go Your Own Way," it usually brings the house down. |
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I love how you wouldn't even listen to it because its Anti-Stevie. Thats amazing.
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Did you guys ever notice how "You Make Loving Fun" finds a minor groove for the verses & slips into the major for the chorus, whereas "Go Your Own Way" follows the opposite pattern. Those are the only two songs on Rumours built virtually equally of both major & minor; I've never thought about the effect before, but it must influence the way we individually interpret these songs.
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moviekinks.blogspot.com |
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(This thought kind of reminds me of a totally, entirely different song, "Chelsea Hotel", written by Leonard Cohen for Janice Joplin. He goes on talking about her during the entire song and then at the end he says "I don't mean to suggest that I love you the best/I can't keep track of each fallen robin/that's all, I don't think of you that often"). Pretty obvious IMO. |
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That's why I've never understood why the Green era fans dismiss this album as pop fluff. I mean, maybe the only thing that ties THIS album with something like "Then Play On" is perhaps the strongest quality of most of the Peter Green songs: Both are brutally honest and full of raw emotion. I get the exact same chill from Stevie and Lindsey's harmonies on "I Don't Want To Know" that I get from Peter's guitar playing on "Before The Beginning." My hunch is that the honesty and emotion in the music is why Peter Green and the "Rumours" band continue to be the biggest draws of Fleetwood Mac. (Or, to put it cynically, they like to walk around in their personal demons, and we're all voyeurs.)
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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