#106
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Lindsey invested a lot in their success early on, both time, effort and money. without Stevie, he would have been a working musician, probably a happier person for a lot of his life and while successful not nearly as cosmically / commercially huge as FM has been with both of them added in. but he would have been playing and making music, possibly produce more, and possibly play and sing in a different band. he had connections to a lot of relevant musicians at the time, and he still has tons of cred among fellow musicians. probably without Lindsey, Stevie would have found someone else to hitch her ambition to, but that may not have worked out nearly as well and she may have ended up with a life outside music. she had tons of sex appeal and ambition. for all of their health, Stevie should have probably left FM after she first found solo success. of course, she would have not been nearly as commercial now in that case, but they could have all probably had healthier lives. well, maybe not Mick. looking back, it is actually really puzzling that Stevie came back to FM after the success of her first solo outing.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#107
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She says Wild Heart was just as successful as BD but it wasn't. I guess she just stayed around FM to sing her angelic harmony and stay in the cool kids club. |
#108
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Keep in mind, I love all these songs. And at the time, they really couldn't compete with what was going on. Music was changing. After Wild Heart it was dicey.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#109
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#110
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Point taken.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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ETA: I can’t state how strongly I disagree with your notion that any drummer could do what Mick does. Mick, John, and Christine have a groove that’s never been duplicated during solo shows. Take any one of them out of the equation and the song starts to suffer. But, the terrible, amateurish version of “Rhiannon” by Buckingham Nicks is really all the evidence one needs to hear what the Brits brought to the table.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 12-30-2020 at 04:19 PM.. |
#112
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I think the groove during the BuckVie Tour was excellent. Jimmy Paxson has a muscular rhythym. Federico is a god on bass. You should be blessed for stating that you disagree rather than dashing out the "Who cares?" response! I thought you were of the mindset that Billy and Rick needed to replace Lindsey for good from 87 on! The Dance was about making money. Wouldn't they have had the same success with legendary Billy and Rick rather than useless Lindsey? |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#114
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So then while planning a 1997 tour, Stubner and Kaufman saw having Lindsey in the lineup as attractive to ticketbuyers, right?
You have Stevie and Christine in the lineup for BTM Tour. Those are the two most people buy tickets to see. Not sure why they didnt choose Billy and Rick for 97. Thousands don't buy FM tickets to see Lindsey. Is The Classic Lineup the Rumours Lineup? Maybe it's the BTM lineup. It was a #1 album in the UK |
#115
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so someone keeps moving the goalposts to suit their bias.
The question of whether Lindsey could have been successful without Stevie is unquestionably yes. He had the musicianship, he certainly had the technical interest and developing skill as an engineer and producer. Stevie had NONE of these skills. Would he have been a "star"? The better question is, Did he ever DESIRE to be a "star"? The answer is no. So, if you aren't trying your damndest to be something, well, chances are you won't become whatever that is. Did Stevie have the DESIRE to be a 'star"? You bet your a$$ she did. Was it somehow inherited from the failure of her grandfather? Maybe. Was it inherited ambition learned from her dad? Quite possibly. She didn't express that she wanted to be an "artist" she expressed her desire to be a 'STAR'. And because that was her desire, that's where she put her efforts. Why kill yourself to have the discipline to be really good as a musician (a discipline Lindsey had. Did he learn this from the incredible athletic discipline of his Olympian brother, off to the pool to practice every day at 5am? Quite possibly. Did he learn it from his own athletic endeavors? Quite possibly). Stevie's discipline was directed squarely on making herself a star. The meant putting energy into finding people whom she could leverage to achieve that goal. (As to the claim she hadn't done anything with her musical interests before LB/Fritz, not so. She had been in a 4 person musical group called The Changing Times, which she described as like a Mamas and Papas group and they performed in coffee houses and the like. She hadn't considered a "real rock band" until Fritz called, and by her own reckoning she had to think, "Can I do this?" and then says she thought about Janis Joplin and "yeah I think I could do that" and joined.) So could Lindsey have had a successful career in music without Stevie? Sure. Maybe not front and center onstage, but certainly as a musician (which he did to support them... her bs about him "never working" to the contrary... who went off and did gigs on the road to make money? Not her, him. Who was making money before FM, such that he had to think about whether he wanted to give that up to join...him, not her). One has to be very, very cautious when only taking her version of history. She worked a DAY as a dental assistant and quit. If we want to cite Keith Olsen, she did a sh&tty job "cleaning" his house, making a big show out of it and hoping her charm would suffice over her actual cleaning skills. She waitressed, but really for how long?? She came home to "all these guys laying on the floor getting high" but what were they working on.... demo tapes that she could just show up and sing on and never put much effort into making otherwise. (And LB did take on other gigs...he tells a funny story of working-- for about a week-- as a telemarketer). She read a letter in the Sound City film that she'd written her parents during the BN days, and in it she is complaining to her parents how tedious the hours in the studio are and how she just doesn't know how long she can stand more of it (she does also state how gifted LB is as a player). Then they join FM and every.single.one. of her interviews in those days brings up "how hard" it is to be in FM, so hard it's "like being in the army"... and why?? Because she has to "show up on time" and "there's no calling in sick" and taking time off. Ever watch the Destiny Rules doc? Where Lindsey is alone in the studio for days and days whilst the rest of the band is off doing whatever? Even when Mick and John are there laying down tracks, Stevie mostly isn't. It's only when things are ready for her to sing on that she's there. That's one of the interesting conversations between the two of them at one point... he reminds her that he's been at the house recording every day by like 10am or whatever while they aren't. So this idea that because Stevie can sing and flutter around onstage she would automatically be a star is hilarious. And to that end, if you take the road crew at their word, her performances on the first shows FM did before making the white album were really, really NOT good. As much as she desired fame, and despite whatever natural talent she had, she needed OTHER people to really force her hand to be disciplined about it... and to make smart choices to have the career she's had. Before The Dance tour in a band interview when Lindsey says he drew the line at BN doing dinner theater, Stevie is right there saying how she would gladly have done cheesy dinner shows. She relied on LB's judgement on many artistic decisions, and later on Jimmy's and even Tom's... who was the one who told her if you're going to claim to be a rock and roller, play rock and roll and stop with the cheesy synth dance music. He had to push her to "write your own songs" when it got tough and she wanted him to do it for her. How many shows did she do where she sounded absolutely awful because of how high or drunk she was? ("thish ish a shtory about a welsh witchhhh"). Not very professional; but being famous and partying was more important. She admits this in her Oprah master class where she says she looks at pics/vids of herself and thinks "Did you have to always be so high?"
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Last edited by bombaysaffires; 12-30-2020 at 07:43 PM.. |
#116
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She's one to talk about persons laying down on the floor getting high after she was getting dangerously ****** up with cocaine. That cocaine probably did pure damage to her memory too.
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#117
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#118
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I would say that Stevie’s voice is remarkable. She still would’ve had that even without Fleetwood Mac and even without someone producing her music. I remember hearing her with Kenny Loggins and I did not realize it was her, but I was still attracted to her voice. That voice alone could’ve taken her somewhere.
Likewise with Gold and Magnet and Steel, I was very drawn. I did not know Lindsey was associated with them at all, but I credit his production for making those songs magical. The same with Sentimental Lady, although I do not knock the other version. I think Lindsey could’ve been a very successful producer for other acts. |
#119
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Lindsey tanked with OOTC and Fleetwood Mac was tanking with Christine leaving the band and Bekka and Billy set to make a duo album outside of Fleetwood Mac. At the same time, the success of the Eagles and Page/Plant reunions wasn’t lost on them. Since they were both in a bad place in their careers and would have more sway with the label together, Lindsey recruited Mick to play on his next solo album. As a result, Time was DOA, getting barely any promotion and no tour.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#120
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Why did they have Lindsey as part of the The Dance tour if they could have Rick and Billy play the songs Lindsey wrote on Rumours? They're more successful and well-known than Lindsey.
As long as Stevie was in the lineup, they were golden. Stevie was having a career skyrocket from 94-96, right? So it wasn't attractive to ticketbuyers to put Lindsey in the 97 Fleetwood Mac roster? |
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