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#16
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Doesn't she always sing on top of his songs and vice versa? I'm not sure how their m.o. has changed much over the years. She's still basically leaving the cassette by the coffee pot and he's telling her to sing a little harmony here, do a little ooh-ahh there.... Quote:
Maybe they could meld their songs about her mother together in the first-ever Buckingham-Nicks (or Nicks-Buckingham) co-write.
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#17
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No..."Frozen Love" was a Buckingham-Nicks co-write.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#18
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Well, you know what I mean.... Stevie just "gave" that to him. I mean a REAL co-write. You know, like Lennon & McCartney...
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#19
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As for why they didn't get along on SYW, whatever happened when she was in Hawaii, I'm quite sure she didn't like the way her songs sounded either, on top of everything else. There's a difference between Stevie singing on top of Lindsey's songs and giving him old demos and both of them writing songs designed for FM or arranging the songs with those harmonies in mind. At least he designated a difference between those two things. Whether he thinks there really is or not, he seemed to think that pretending there's a difference and pledging to form the album more organically the next time around might make production easier for Stevie. As for the voyeur in me, I think that can be satisfied by looking at the band onstage. Having them record songs that I find dull and maudlin would just be depressing, as was Temporary One and Sweet Girl for me. Although, I have put the lyrics to Temporary One to other uses that have meant something special. I'd rather FM had not recorded and performed those songs though. Michele |
#20
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Since Stevie is of the opinion that records don't sell anymore and that fans don't really want to hear new songs on tour, I would think a new record is a pipe dream.
She also gets very impatient with Lindsey's pace in the studio. I think she wants to hit the road and get the money. A new record isn't going to sell more tickets when the majority of people in the seats want to hear Rumours. |
#21
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Before or after 1965? Wasn't much "co-writing" going on between John & Paul after the Help! album. They were just contractually obligated to credit their songs "Lennon/McCartney" until 1970. (that's why "Yesterday" & "Give Peace A Chance" are both Lennon/McCartney songs...when we KNOW that the other didn't have anything to do with the song).
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#22
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Last edited by CADreaming; 07-16-2012 at 04:09 PM.. |
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#24
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You're right - it seems it wouldn't bode well for a new album. But, it's like you pointed out - there's a lot of stuff that goes on behind the scenes we don't know about. Stevie may have spent those 6 weeks "underground" she referred to recently, in a studio throwing some vocals on a few tracks. Quote:
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#25
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But, while I agree the "majority" of people going to see FM next year will want to hear their greatest hits and "Rumours", there can be no denying that if FM recorded and released some new music, that would excite & motivate thousands of FM's hardcore fan base to attend and support yet another outing, just like IYD & SWS motivated & enlivened thousands more fans to attend Stevie's and Lindsey's latest tours in 11' & 12'. Whether or not they care about their base is debatable at this time. It's more about Lindsey vs Stevie's opinion & attitude towards new music at this point. I wonder if Stevie would be on board if the rest of FM agreed to have Dave Stewart produce these new sessions, like she was over a year ago. Somehow, I think her attitude has changed. Who knows... |
#26
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i understand Lindsey et al want to work together as a team, and there's all that love with Stevie that he wants to build upon, and it might be interesting if they do something together... but if she's not feeling it, then PLEASE don't wait around and just get out your new stuff whenever you have it done Lindsey!!!!! considering all he released starting with UTS, i'm really hoping Lindsey has a newly found appreciation for time and won't sit around waiting for years for all the Mac-related politics to get sorted out. for album sales it doesn't matter anyway whether it's solo or FM... practically nobody makes their money on new releases anymore. and either solo or Mac, he/they should just release it on Mind Kit and not waste time shopping it around either. although i don't really care whether FM puts out another album or not as long as Lindsey keeps churning out his new stuff (plus some of those maginificent older songs still waiting to be released, like all that Village Recorder stuff!), i'm so happy to learn or experience all the stuff Lindsey has been doing simultaneously these days - various tour types, releasing new and live music, writing songs and recording more new music at the same time - great time to be a LB fan!! |
#27
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yeah, we know how real those co-writes were!
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#28
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I volunteer, Nancy. Let's do that, get p'ssed, and party until deep into the next day, sleep out the hangover and divorce the day after that. With a small afterparty to celebrate that...
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#29
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Sounds like a plan!
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#30
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I will say that I don't think Stevie hated the whole SYW tour. I think she had a lot of fun on it at first and then they had some kind of fight at the end that soured her -- plus, it was just too long and they were weary. But I don't believe that the whole tour was miserable. I think she had more fun on the tour than in the studio. Quote:
EO17 was for her uncle (in part) maybe she might write something hip for her mother and not give us her version of Circle Dance instead, which is what I imagine and dread in my head. But I am rather pleased with Soldier's Angel, so maybe I should have a little trust. Heck, if they'd just polish Twisted up and do that live (along with, yes, a couple of BN songs), I'd probably quickly get over not having fresh material. Michele |
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