#31
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Life passes before me like an unknown circumstance |
#32
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I agree with this. I am a little surprised though at how little echo or reverb there is on her vocals in all her work with Dave. It was such a hallmark to a lot of her previous work, and on some songs it really did enhance the song-- it nicely complemented the sparseness of certain songs (the Blue Water demo, Forest of the Black Roses to name two). Maybe someone can think of one I am missing, but I don't think Dave has used it on any song he's produced for her. |
#33
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"Moonlight" is overflowing with echo and reverb! Did you forget about that one?
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#34
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Other than the very beginning, I hear more layering on Moonlight than echo. I honestly just don't hear it like on stuff like Bella Donna, Kind of Woman, Outside the Rain or many of her demos. |
#35
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Well I said I would listen to this snippet, (still not listening to others)
I seriously like this song, I love her voice it sounds mellow and soft, with just a glimpse of her younger voice. Not a hint of being strident or shouty. Yep I love it. |
#36
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I like it... It's got a lot to live up to, as I love, love, love the demo so much. We can't yet hear the harmonies, which really make this song so special, and it's difficult to imagine the final result from a 10 second clip. I'm very much looking forward to hearing the whole song.
I have ended up preferring the new version of The Dealer, which really surprised me. I'm wondering if the same thing will happen with Blue Water? |
#37
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This is the only preview from the album that I'm excited about.
"Lady" I like, but she shouts the whole second half of the song instead of singing it. I was never mad on "The Dealer" demo anyway, but her nasally vocal has really put me off. First time I've ever not been freaking out over a Stevie release in my entire life. |
#38
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I have to say I've transitioned back into being more nervous than excited. I really, really love about half of what I'm hearing, but the other half is as bad as the other is good. It almost makes me wonder if we're getting another Street Angel. That album was so maddening because half of it's material was as strong as anything Stevie had recorded- the other was absolutely the worst.
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#39
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Not to get into a SA discussion, but the strong moments on that album are currently greatly outweighing anything I've heard of 24KG so far.
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#41
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#42
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I'm really happy with everything else we've heard so far, and the songs -- as well as Stevie's voice -- sound pretty much exactly the way I'd hoped they would.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
#43
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Even though I like SA, I have to admit she wasn't at her finest during OSOTM through SA eras. That period was Stevie's low point, professionally & personally. But she survived and prevailed. The klono years were much more detrimental to Stevies writing & craetivity than the cocaine years by a mile! |
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#45
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 09-10-2014 at 03:19 PM.. |
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