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#226
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__________________
New Song, "What Love Is"- Check it Out! |
#227
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Their show is not nearly the grand production of bands like the Rolling Stones, AC/DC, KISS, etc. All FM uses are some pretty lights and a couple big screens. It could easily be scaled down to smaller venues. Whether or not their egos could be scaled down is another matter.
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#228
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Maybe Japan had laws at the time that required rock concerts to be held only in mid-size theaters like Budokan instead of the larger sports arenas that were the major venues in the United States back then. Then again, maybe Japan (at the time) didn't even have any indoor sports arenas. They were built in the U.S. primarily to house basketball & ice hockey games, neither of which was big in Japan.
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moviekinks.blogspot.com |
#229
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...partially for those Livia listed. Quote:
You don't say? |
#230
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If Mick thinks the pleasure of his company at a meet and greet is worth an extra $200 tagged onto a $700 package deal, he is certainly not going to play an amphitheater.
And, IMO, he is the biggest ego of the group. |
#231
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Last edited by Lori40; 01-12-2009 at 03:23 PM.. Reason: I can't spell |
#232
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I don't get it. I saw them at the now defunct Starwood Ampitheater in 2004 for SYW, and it was an AMAZING show. They do play ampitheaters.
__________________
New Song, "What Love Is"- Check it Out! |
#233
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They have a new "Super Arena" in Saitama, Japan...Clapton & Jeff Beck are playing a double bill there this coming February 21st & 22nd.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#234
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Medium to large theaters would have stages big enough for FM and all their backup people. Consider all the work/performers/set design and set changes, etc. that goes into a touring Broadway play. Logistics are not the issue here, people.
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#235
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They played the Chumash casino twice during the SYW tour and it had the size and aura of a high school gymnasium. It was not the Borgata or the MGM by any stretch.
They were cramped on stage. In fact, you could hardly even see the petite Jana lodged against one of the large speakers on the stage. Giggling, Sharon had to pick her up when it got to the introductions. The sound was awful. Lindsey was very unhappy the first night -- I'm assuming because of the sound problems. But they suffered through it for the money. Doing theaters would be a step up from that. Michele |
#236
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They played the amphitheater a year into the tour, and a year after they played the local arena. That's the difference. They play the amphitheater when they can only hope to sell 6-8 thousand seats as opposed to 13-16 thousand at the arena.
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#237
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By that time, the SYW was on its last gasp anyways. It was all about making up the money they lost by canceling those handful of shed dates (Tinley Park, the other one, etc.) |
#238
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They were glad to participate in the guitar strumming, but not screaming and jumping up and down. Actually, the people in charge of the venue weren't letting people approach the stage and Stevie was whispering to Mick and Lindsey. After she did they said something about wishing people would be allowed to stand. The second night, he was in a great mood and the sound seemed to have been overhauled. In fact, the second night I was thankful that I got to see them in such a small place, because it was so intimate. But I guess that was because the sound was better. The first night it was like listening to them through a faulty school PA system. They were introduced by Dick Clark and I really thought they had sunk to their lowest level. Michele |
#239
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The notable exception being Red Rocks of course...
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#240
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But I have to point out, when Mick toured with his Blues Band last fall, they were playing all small venues, and he was doing low-key meet & greet most nights, presumably for free. The tour couldn't have been about money, as they probably didn't expect to make much from it. I really had the idea Mick put the tour together just because he still loves playing the original Mac music.
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