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#16
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I woud like to know how much of the production Dan was responsible for.
I don't know why but I think that Christine was the senior partner in the production due to her greater experience etc. Gail |
#17
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David may live in one of those parts of California where they don't allow music. Something ought to be done about it, just like in Footloose! Nobody puts baby in a corner!
Michele |
#18
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In the Meantime is a good album. My favourite tune is clearly the album's closer "Givin' It Back", because of the vocal arrangement.
Runners-up are "Sweet Revenge", the only song that comes across as "bubble gum pop" (the album could have used some more bubble gum melodies), "Forgiveness", which finds Chris in blues band mode (more of that and her piano would have been very enjoyable, too) and "Bad Journey" with its perfect bridge. "Friend", the leadoff track, is a good one, too, but it's here that I miss Lindsey's arranging skills and Mick's tasty drumming the most because it sounds like solo Christine, but that's what it should be, shouldn't it? Her vocals are always top, but to this listener, the album suffers from too much funk guitar and too less piano. Still, it's a good record. |
#19
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They allow us only concerti with basso ostinato. |
#20
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Michele |
#21
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There's plenty of keyboards on 'In the Meantime.' It's just that they are typically not that high up in the mix. This is the only thing I'd change about this album, if I had my way -- louder keyboards. Oh, and I'd like a bonus track of Christine singing "Calumny" with grand piano accompaniment -- not a replacement of the song as recorded (which is so tasty) -- but an alternate version.
I like every song on this album. Some of my favorites are "Friend," "You Are," "Calumny," "Sweet Revenge," and "Givin' It Back," but I like them all, a lot, and that includes the sometimes maligned "Bad Journey" and the rare bonus track, "Come Out to Play."
__________________
-Joanne (from Cape Cod) |
#22
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#23
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Michele |
#24
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#25
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#26
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Well then maybe Chris should have used a barrelhouse upright on some of the more "pop" songs. I like the way those sound especially when they're a little out of tune. (I think I'm starting the April 1 thread early this year.)
__________________
-Joanne (from Cape Cod) |
#27
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i guess that's a matter of opinion... because as a singer i love them on bad journey... in fact i think they're fantastic.... easy come easy go... they are just vanilla to me... but i don't cringe...
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#28
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Unless you are talking about the chanting of "Bad Journey" ... that does indeed make me cringe.... it's awkward...
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#29
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Michele |
#30
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ROFL you guys are soo funny and soo very right. I was like WTF. The bad journey chant makes me do what the purple guy is doing hahahahaha All of Dan Perfect's background vocals seem to be the same did anyone notice this??
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