#31
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#32
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And about Hold me song, and the videos: Chris's songs, especially "Hold Me," reflected her bittersweet reflections on her relationship with Dennis Wilson, which had almost resulted in marriage but had ended instead the previous December, when Dennis had moved out of Chris's house and her life... ..... It didn't hurt that Rolling Stone had crowned Stevie "The Reigning Queen of Rock and Roll," and that a new cable television channel called MTV was broadcasting our new videos ("Hold Me" set in desert dunes, "Gypsy" in a Stevie fantasy world) to the American suburbs twenty-four hours a day. Mirage went to number one, and it felt great to be back on top for a while.
__________________
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#33
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I want to see the original unairbrushed version of this photo. I am SURE that Stevie can not unhinge her skull from her vertebrae and sling it back like a Pez dispenser like that. And what the heck is up here with her neck? She looks like if she sat up tall her neck would be twice the length of a normal one.
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#34
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__________________
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#35
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yes! wasn't there also one where Christine and Stevie changed positions?
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#36
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#37
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#38
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The thing that always struck me about Fleetwood Mac is that they were always unabashedly adult. In a way, they seemed to intentionally flout anything trendy, hip or youth culture-oriented. They never spoke or wrote slang phrases/words in their interviews or lyrics. They never dressed like their audience or attempted to come across as humble, down-to-earth, or "of the people." They always fancied themselves as being a cut above, and I admire people who can proudly, shamelessly own their elevated stations in life.
It's hard to imagine that the band on the cover of Mirage, wearing chiffon, silk, waistcoats and dinner jackets, was only in their early-late thirties. They kinda looked like your parents going out for a night at the Copa Cabana. Very sophisticated, but oh so very unhip. What struck me initially about the cover is that it reminded me of a Rembrandt painting- the somber brown tones, the faint lighting, the suggestion of movement and drama, etc. But, of course, it's all but a dark mirage, because the album itself is chock full of the most sunniest, tinkling-est, sparkly California pop music released since the early Beach Boys. Don't judge a book or an album by its cover! |
#39
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I love these photos, thx for posting.
Like Hejira said, they were so unhip with their fashion/style they were cool! |
#40
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I wish I had a link to the clip, but it I haven't seen it in years, and of course this was probably during her Klon years, go figure. |
#41
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Instead of Stevie trying to bend her neck back, they substituted her neck with an accordian and just airbrushed the creases away. |
#42
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LMAO, this is a joke right?
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#43
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I really love the Mirage cover, but I don't think it suits the album at all. Album art should be a visual representation of what's going on in the music - but the music on the album doesn't give me the same feeelings as the art work does, so it's a bit of a confusing one. I've always felt that the Tango and Mirage covers would've been better off being the other way around as they seem to represent the music of eachother better.
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#44
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Michele |
#45
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Is there any proof that Stevie's neck in the photo is altered? I don't think it is - if you go to a mirror, it's not that difficult to bend your neck back like that.
I can do it.
__________________
I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case |
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