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#31
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Quote:
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#32
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The song has a great guitar solo from Les and a good melody. But its pure 80s trash. The title track is even worse. Remember those organ stores at the mall in the 1980s. Remember those casio keyboards for a few hundred? You could press a button and there would be percussion and some pre-recorded music. It sounds like someone bought one of those, hit the button and Waddy does a few guitar licks through it. Stevie is gasping for air in a cocaine hazy whisper. Ooh my love on Tango sounds like Stevie is drunk and that basic track she is trying to sing to is so horrible. Shocked they released it.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away Last edited by Macfan4life; 08-26-2023 at 01:26 PM.. |
#33
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In order:
White Album - Every live version of I'm So Afraid since the Tusk tour is better than the studio version Rumours - The Live and The Dance performances of Dreams are better than the final one - I think Brushes is a little bit better than NGBA - The live version from Dancing Again ('97) of Oh Daddy is better than the studio one Tusk - The whole LP is better than the CD Mirage - The extended version of Gypsy is better than the final one - The demo version of Oh Diane is better than the final one Tango In The Night - The alternate version of Isn't It Midnight is a bit better than the final one - Book Of Miracles is better than Juliet |
#34
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I actually like this version better than the one found on the deluxe edition. This recording is far more raw than the final release and features prominent organ work from Christine McVie.
https://www.youtube.com/watch?v=o-GKVaDwmuE |
#35
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#36
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#37
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#38
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That version of Oh Diane is leaps better than the final cut. Its so raw and unpredictable which is probably why it was toned down to the Music Box version of Oh Diane. Same with Smile At You. Its also wild and unpredictable and is outside the mold of the music box Mirage. Mirage is overflowing with overdubs and music box predictability.
Did you notice how many times I said music box?
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#39
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"leaps" is a good word for it.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#40
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Oh no
I'll take Lindsey's achingly soft vocals and delicate guitar on the album cut over this lyric-less jam.
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Joe |
#41
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Lindsey's solo version of Peacekeeper is light years better than the SYW version.
Stevie's solo version of Thrown Down is light years better than the SYW version. |
#42
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I agree with you on "Thrown Down", although I'm somewhat mixed on "Peacekeeper". The programmed drums on Lindsey's demo is somewhat irksome and very stiff. There are still some programmed drums on the Say You Will version, but the sound of the snare drum is far less grating.
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#43
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Say Goodbye. When I heard that song the first time I said "It's just ok".
When I saw the 2005 Soundstage Presents Lindsey Buckingham Live In Concert performance, I loved that song. It had nothing to do with Stevie being there. It was because he sang it with far more feeling. The guitar is different than the studio version, too. Slower in the moments it has to be. Contrary to the studio version, where I always imagine the Road Runner running swiftly through the desert.
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