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#31
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![]() It was released Oct. 10, 1995. There was BTM with Billy and "Shakin' The Cage" by the Zoo with Bekka.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#32
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What has really surprised me is that the show I saw was broadcast in its entirety on then radio station KLSX-FM, yet I've never seen a recording of the show in bootleg trading circles. Did nobody at the radio station hit the "record" button? ![]() Quote:
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#33
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![]() That is very true. Got to give him big props for his talent.
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Life passes before me like an unknown circumstance |
#34
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Many of the attendees who went to the show, did so on a whim, with little knowledge of the band's history and the various configurations and changes in the group. I assume they expected to see the most famous incarnation of the band, and its most identifiable members: Stevie, Lindsey and Christine. For them, it certainly was DRASTIC (capitalized, italicized and bolded for dramatic emphasis, I guess! lol)
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 11-19-2014 at 07:00 AM.. |
#35
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Nobody expects to see The Beach Boys, Herman's Hermits, The Turtles, Three Dog Night, or name any band of the '60s or '70s, and have it be any more than MAYBE the lead singer and a hired gun group backing them. So, why would anyone think that seeing "Fleetwood Mac" at a Theme Park of any corporate ownership would be any more than Mick Fleetwood and John McVie, the band's namesakes, and people of varying degrees of fame elsewhere fronting the band? Maybe I'm jaded, but I'd NEVER IN A MILLION YEARS ever expect that a famous band playing at a [insert one] a) Theme Park, b) County Fair, c) State Fair, to be the complete group that made the band famous. It's weird enough that someone like Bob Dylan plays those venues on a regular basis.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#36
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As I've said many times before, the fact that there was no album out made the lack of originals easier to deal with, but that package tour was just a bad idea all around. Opening for CSN was okay, especially given the connection between Dave (and even Bonnie Bramlett) and CSN. The ideal would have been to do a club tour and play mostly new songs from BTM and "Time," with a sprinkling of Mason and Mac classics.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#37
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![]() My post was apparently misunderstood. A large portion of people in attendance at the park were likely not that informed about Fleetwood Mac and the changes in the band. They would likely only be aware of the most famous members of the band. Give me break. There is nothing foolish about. Beyond our myopic grand visions of the band, there exists a large population of people who aren't ardent followers. Seriously! Not acutely in touch with the band's evolustion, it is certain that many expected the line up they were most familiar with. I was there - I witnessed the confused reactions. Yes, this was an amusement park , with a large demographic of families and children; only a slightest fraction of attendees would have knowledge of the band's latest incarnation. The Time era was, indisputably, the most obscure transitional period in their history.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 11-21-2014 at 03:43 AM.. |
#38
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I wondered who the folks who turned up at the 1993 Superbowl pre-show were expecting, particularly after the Clinton innauguation ball. That was after all, the one occasion when Chris played live with the band post- 1974 without either Stevie or Lindsey. Last edited by Mr Scarrott; 11-21-2014 at 10:33 AM.. |
#39
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Anyway, I remember it was advertised in the newspaper in a small box in the corner, in between Pat Benatar and REO Speedwagon, but no mention of who was in the band at that point. (I really only knew because of newsgroups and such back then.) At the park, there was a poster with an updated shot of the touring lineup (minus Steve Thoma) outside the amphitheater entrance, but no names at all. A couple people in front of us in line were lamenting the fact that FM had "no originals" at that point (Mick and John notwithstanding), but they did go in anyway... In hindsight, it was a fun show, if not ground-breaking. FM was the middle act, after Pat Benatar (who was great), and we left a few songs into REO. Having seen the BN-based lineup three times, I can see what people realized they were missing, but I still think Billy's GYOW ranks up there with Lindsey's modern-day version (guitar solo aside). |
#40
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A few reasons, I'm guessing. If Billy had been comfortable as a lead guitarist, I assume they would have hired him in that capacity in the first place, not both him and Rick...so they still needed a separate lead guitarist alongside him. As to why they kept Dave instead of trying to coax Rick back, etc. ... Mick and Dave were tight, and Mick sold him on being a member of the band, so he probably didn't want to back away from his decision. And it probably didn't hurt Dave's cause that he was the most widely known singer/songwriter in the band, aside from Christine. All that said, obviously it wasn't the *right* choice. I never saw the chemistry and camaraderie with Billy and Dave that I saw with Billy and Rick. (Maybe it's because they were both the "new guys" at the same time...) Dave and Billy seemed to co-exist more than collaborate, on stage and in studio. I'm not surprised Mick hit "detonate" on that lineup as soon as it was clear Time was going nowhere... |
#41
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John |
#42
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 11-24-2014 at 01:53 PM.. |
#43
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Yet Fleetwood Mac, while undeniably a high profile band, isn't as culturally omnipotent and universally familiar as Micky Mouse or McDonald's. And, in context of the musical landscape of the early 199os, they teetered on the edge of obsolescence. It's hard to conceive, but there is a large demographic of humanity that are not intimately attentive to the band, and many may only have a vague knowledge about them, with faint familiarity and recognition of a few of their popular songs. It's a real long shot to expect them to theorize or question how a such a legendary band could possibly be appearing at an amusement park. It's not even reverentially conscience to them. And even casual fans of the band -- fans who aren't ardently following their every move, might not even be aware of the band's current status at that point. The Time band configuration and the Time album flew a little a bit lower on the radar. I give major credit to Mick for adding another link in the chain to keep the band alive. Even though it wasn't the strongest link, it served a greater purpose. He previously faced a similar situation when Peter Green went adrift. Yes, it's foolish, so you're right. ![]()
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 11-25-2014 at 02:29 AM.. |
#44
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![]() When Time works, it works surprisingly well, which is more than I can say for Behind the Mask.
I remember first hearing it and thinking Christine sounded fantastic vocally. I just couldn't stand the keyboards she chose to use. What's wrong with an acoustic piano and a Hammond B3? Or any other number of more professional sounding synthesizers? I Got It In for You is a great tune, as are Nothing Without You, Winds of Change, and Talking to My Heart. |
#45
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