#61
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#62
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Adding to the Stand Back discussion, it deserves to go if only to include one of the dozens of great songs that are overlooked to play it. Toss in Go Insane too, ditch it for something like Save Me a Place. The band and definitely Stevie have outgrown the song, I love the Wild Heart version, but past that tour, it has really not been done justice for many years, soundstage being an exception.
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#63
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Side note, I've been watching different live performances recently because of this discussion and yes, are some better than others, of course - But, I'm starting to feel bad about citing bad performances Ultimately, when you are there, at the concert, I think you can't help but get caught up in the moment! I guess what I'm trying to say is I know I'm going to have a blast regardless of what they play, and I know they'll sound great
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it may be hard to keep up with me ~ i'll always be able to reach you
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#64
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Is there any point... other than their making money?
Stevie hasn't seemed really interested in a Fleetwood Mac venture (whether recording or touring) since 1997's "The Dance" enterprise. Maybe it's because Christine left. Maybe it's because she's now the only girl/woman. Maybe it's because of computers or the internet or piracy or because "no one buys albums anymore" and it "breaks [my] heart." Maybe it's because she hasn't been relevant outside her fan base for so long. She just doesn't attract new listeners in large numbers anymore because her lyrics are so obtuse and self-involved, and she's practically incapable of telling/singing stories that non-fans can understand (since about 1985, maybe 1989 if one is being generous).
I've been watching old footage, and compared to what they once were, they're just not very tight as a band--MUSICALLY--anymore. Their timing is pretty awful. If it weren't for Lindsey, they wouldn't be able to hold it together. I saw them three times on the so-called "Unleashed" tour, which was anything but "unleashed." The performances I saw, including Madison Square Garden, were plodding, bloated, worn and drawn out. By the end of each show I saw, the audience was talking to each other more than they were watching the show. And a LOT of people were saying how they should never be allowed to play MSG again. The set list for the 2013 tour would have to be pretty far-out and unusual for me to shell out the exorbitant amount of money it takes to score a decent ticket. And even then, do I really want a good seat to see a worn-out band whose members can barely function as a unit? |
#65
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#66
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and that's the only thing I agree with on that post. I still love the band live b/c they still rock! |
#67
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The Live in Chicago solo dvd was awesome and Stevie delivered a powerful performance of this song and many, many other tunes. Which leads me to question why SN gives 100% for her solo gigs and barely just goes through the motions with FM. These are her songs, one would think that she would still want to reach near perfection performances regardless of whom was backing her. |
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Agreed! I think of the dance tour arrangement/performances as exceptions to the decades of live performances of the song. Something about the piano in the original doesn't translate to the electric keyboard live. The piano drives the song, so if that isn't clicking...
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#69
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Plus, it's hilarious to watch Lindsey singing along and acting up with it onstage. Especially on "give me a little sympathy" when he beats his chest. LOL.
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That is cute. Michele
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#71
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I can't think of a horrible live song, however somebody needs to tell Lindsey to knock off the psychobabble during his banter. I'm wanna see a RAWK show, not hear what you learned from your therapist. Get on the mic, tell the Eagles to go F**K themselves, and play IKINW.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#72
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Brown Eyes did not translate to the stage unfortunately.
Not That Funny was utterly obnoxious live.
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#73
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I don't know that I would agree any Fleetwood Mac songs are "horrible" performed live, but I'd agree that *many* individual performances are lacking in energy, enthusiasm and interest.
Typically it's Stevie's songs that fall into this category, but the blame does not fall with the song, but rather the performers and musicians not executing the songs with any desire to impress.
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I'm not the man you think I am. My love has never lived indoors - I had to drag it home by four, hired hounds at both my wrists, damp and bruised by strangers' kisses on my lips. But you're the one that I still miss. Neko Case |
#74
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I love Sonny because he wasn't mainly a songwriter but he wrote some of the most legendary songs of all time.
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Lindsey is one strong man. |
#75
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Now the single version is more guitar/drums driven, but still enought piano. |
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