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#1
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Thanks. OFF THE RECORD arrived and I’ve been exploring some of the sections and parts. No surprises on either Oh Daddy or Songbird. Don’t Stop is a treat. You really see the momentum she’s building with the left hand.
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#2
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Just like Get Like You Used To Be. It's amazing to me that she's playing most of that piano riff with her left hand! Damned Southpaws!
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#3
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Yes, indeed. I remember trying it long ago and was in deep admiration of her lefty skills.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#4
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Well, she's a Southpaw. I'm sure we righties can do things that she can't. I'm a real mastur with my right.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#5
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I know she's a southpaw. I haven't played in so long, I'd have to fake it like she does now.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#6
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Yeah, for sure. In the Don’t Stop transcriptions, the right hand chords are often counterpointed (syncopated?) with the driving left hand. It’s pretty exciting stuff. The effect reminds of the barrelhouse piano in Jim Croce’s “Bad Bad Leroy Brown.”
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