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#2
10-18-2013, 08:43 PM
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Landslide
azbeatles http:// Lindsey in a blue suit coat !! It's unusual for him to change his stage clothes up so much. I love him in this blue jacket it's the same color as his eyes and makes them pop. Last edited by Deeshere; 10-19-2013 at 09:25 AM.. 
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#3
10-18-2013, 11:30 PM
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^He reminded me of blue willow....
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#4
10-19-2013, 08:15 AM
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Gotta love Google translations
(original article is after the translation)Fleetwood Mac gave what they had Stevie Nicks was the great experience as one of the polished rocks biggest bands visited Jyske Bank Boxen. * * * * (4 out of 6 stars) "What should I see?" Asked the man to Herning Station. "Fleetwood Mac," said one of two women on their way into the bus out to Jyske Bank Boxen. 'You know I do not, "said the man. "Yes, you are doing so," said the other woman and sang "Du kan goooo your own way 'high, Jutland colored voice. "Well damn, that was when I just said," laughed the man and wished them good concert. The small scene says a lot about Fleetwood Mac. They are no longer the band, everyone is talking about, but nevertheless sold more than 100 million records and made countless hits, which are stored in the mind - or subconscious - in most of the 30 Yes to Nicks Fleetwood Mac, culminating commercially in the 1970s and 1980s, had also lured 8,500 not quite young guests Boxen just outside Herning, where Stevie Nicks did not know whether she had been before. Singer's past with drugs in long rolls - literally - could in general felt in her disoriented, incoherent monologues. But where Nicks in the way the band's Achilles heel, as she was when she sang, also an amazing experience. The rocky, sensual, slightly rough voice and the søvngængersikre phrasings did such 'Landslide', where Lindsay Buckingham's guitar was the only accompaniment to a triumph and in the long, vague "Gold Dust Woman" was she at once blurry and sharp, and it was not hard to hear where it also stofnedslidte, but somewhat younger Courtney Love is inspired. Otherwise, it was now a singer and super guitarist Buckingham, who drew the biggest load in Boxen, where an astonishing unfocused audience only gathered when the hits fell. Under 'Second Hand News' was the energetic, intense Buckingham and the rest of the band so any attention, but not so much in the blues drawl 'The Chain', where Mick Fleetwood and John McVie, which in the majority of the set was a smooth , muscular rhythm section. Off and on Curiously enough, it seemed 1:06 to 7:00 times, like Fleetwood Mac was gone by the stage. Spot tubes were turned off and only the lights on the amplifiers flashing. But every time they came back in different formations: Buckingham Solo, Buckingham along with Nick, all four front of the stage in an acoustic setup and so on. Elegant was the closures and the twisted visuals on the screens behind the band also seemed somewhat advanced in years. But most of the songs sounded steady fresh, not least 'Dreams', 'Rhiannon' and huge hit 'Go Your Own Way', which was given with more body and weight and less popglitter than on record. It suited the term, and Fleetwood Mac were at all where they should be musically. About a long world tour that is the right thing to do at their age and with their wild past by the course, only themselves. But it was all a privilege to be able to experience them here 46 years after the band formation and a wealth of melodic hits, internal conflicts and replacements later. And then with 'Go Your Own Way' on the brain. All the long way home to Copenhagen. Who: Fleetwood Mac Where: Jyske Bank Boxen, Friday Original article Fleetwood Mac gav hvad de havde Jeppe Krogsgaard Christensen Af Jeppe Krogsgaard Christensen 19. oktober 2013, 09:50 Stevie Nicks var den store oplevelse, da et af den polerede rocks største bands gæstede Jyske Bank Boxen. »Hvad skal I se?« spurgte manden på Herning Station. »Fleetwood Mac«, svarede den ene af to kvinder på vej ind i bussen ud til Jyske Bank Boxen. »Dem kender jeg ikke«, sagde manden. »Jo, du gør så«, sagde den anden kvinde og sang »You can goooo your own way« med høj, jyskfarvet stemme. »Nå for helvede, det kunne I da bare have sagt«, grinede manden og ønskede dem god koncert. Det lille optrin siger en del om Fleetwood Mac. De er ikke længere bandet, alle taler om, men har ikke desto mindre solgt mere end 100 millioner plader og begået et utal af hits, som ligger lagret i bevidstheden - eller underbevidstheden - hos de fleste over 30. Ja til Nicks Fleetwood Mac, der kulminerede kommercielt i 1970erne og 1980erne, havde da også lokket 8.500 ikke helt unge gæster til Boxen lidt uden for Herning, hvor Stevie Nicks ikke vidste, om hun havde været før. Sangerindens fortid med stoffer i lange baner - bogstavelig talt - kunne i det hele taget mærkes i hendes desorienterede, usammenhængende monologer. Men hvor Nicks på den måde var bandets akilleshæl, så var hun, når hun sang, også den helt store oplevelse. Den stenede, sensuelle, lidt ru klang og de søvngængersikre fraseringer gjorde eksempelvis »Landslide«, hvor Lindsay Buckinghams guitar var eneste akkompagnement, til en triumf og i den lange, udflydende »Gold Dust Woman« lød hun på én gang sløret og skarp, og det var ikke svært at høre, hvor den ligeledes stofnedslidte, men noget yngre Courtney Love har hentet inspiration. Ellers var det nu sanger og superguitarist Buckingham, der trak det største læs i Boxen, hvor et forbløffende ufokuseret publikum kun samlede sig, når hitsene faldt. Under »Second Hand News« fik den energiske, intense Buckingham og resten af bandet således nogen opmærksomhed, men knap så meget under den blues-drævende »The Chain«, hvor Mick Fleetwood og John McVie, som i størstedelen af sættet, udgjorde en smidig, muskuløs rytmesektion. Af og på Kuriøst nok virkede det en seks-syv gange, som om Fleetwood Mac var gået af scenen. Spotsene blev slukket og kun lysene på forstærkerne blinkende. Men hver gang kom de ind igen i forskellige formationer: Buckingham solo, Buckingham sammen med Nicks, alle fire forrest på scenen i et akustisk setup og så videre. Elegant var afviklingen ikke og de udsyrede visuals på skærmene bag bandet virkede også noget bedagede. Men de fleste af sangene lød stadige friske; ikke mindst »Dreams«, »Rhiannon« og gigahittet »Go Your Own Way«, der blev givet med mere krop og tyngde og mindre popglitter end på plade. Det klædte udtrykket, og Fleetwood Mac var i det hele taget dér, hvor de skulle være rent musikalsk. Om en lang verdensturné så er det rigtige at gøre i deres alder og med deres vilde fortid, ved de naturligvis kun selv. Men det var altså et privilegium at få lov at opleve dem her 46 år efter banddannelsen og et hav af melodistærke hits, interne konflikter og udskiftninger senere. Og bagefter med »Go Your Own Way« på hjernen. Hele den lange vej hjem til København. Hvem: Fleetwood Mac Hvor: Jyske Bank Boxen, fredag
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Daniel 
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#5
10-19-2013, 08:39 AM
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Quote:
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Daniel
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#6
10-19-2013, 08:52 AM
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Reactions after the Herning show
Hi guys.
Long time fan and Buckhead here. Haven't been active on the board for a while, but wanted to share som thoughts after seeing the Mac live for the third time yesterday in Herning, Denmark. Firstly...so happy that thay are actually touring continental Europe that isn't Germany! Awesome. Lindsey's jacket Yes, for the first time ever DK was the scene for a significant LB wardrobe change...it was indeed special. Be jealous.  Setlist Don't get me wrong - I love the Mac - but omg they are not innovative when it comes to setlists. Apologies if this has already been discussed on the boards, but why the hell was this show and almost copy-paste of the last tour, why do they almost never play any post-Mirage stuff? Too much pandering going on! 'Tango in the Night' was a huge hit album...so why not play 'Seven Wonders' or 'Caroline'? There's no reason to almost completely forget 'Say You Will' either...I longed for 'Peacekeeper'. I've made this little comparison from their last DK-show, and manipulated it slightly, just to show how old the material is and also how similar the shows were!  Lindsey Don't know exactly how to put this...but I am getting little miffed by Lindsey "tefloness". I mean, he comes out at does some amazing stuff, and turns the people on with incredible acts of musicianship - but it is almost as if he just pushes the play button and does what he does. You get the impression that is truly just a job for him, and though he says he's grateful people are there, you doubt he really means it. I don't know if this behaviour comes from being nervous or something, but it's like he puts on this facade to shield himself from being...well, himself. And the speeches...omg the speeches. Maybe in America they might work slightly, but here we just can't stand that superficial crap about being an artist. After just 10 seconds people start getting uneasy and it seems as though he can't sense it, but has to finish his thing. Stevie's much more natural - if that makes sense. The repetitiveness is almost apparent in the fact that the very same speeches can be found on Youtube...in Chicago or whatever. I know this is a much more general discussion, but yesterday it struck me...just like it did 4 years ago. Ok - that was it. Good to be back. / Mike from Denmark.
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#8
10-19-2013, 09:36 AM
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I don't know why, but I LOVED reading this translation. Thank you very much for doing it.
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#9
10-19-2013, 11:41 AM
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Quote:
 although happy to see tons of guests checking LB forum, we need more posting Buckheads throwing in their opinions around here.  Quote:
another thing that i found interesting to see - when you sit on the side of the stage, you can see the band behind the stage before, during and after the show. when the show was over and he left the stage (at least in Amsterdam), it seemed that all that energy that he pulls together for those almost 3 hours of playing and interacting and jumping around the stage, just drained out of him, and he exited the stage area with the lightning speed, with several guys on each side throwing a large towel over his shoulders and escorting him out. you know, kinda reminded me of a boxer after a fight.  speeches however are a whole separate thing. i don't think he's comfortable giving speeches, but seems he has certain messages he likes to transmit. in Columbus, at the first show of the tour, bunch of us very standing right in front of him and mouthing the exact words of what he was saying (don't think he enjoyed that, which was the purpose!). seems he has been trying to change some wording a bit, but still not enough. he's so funny and "normal" when he's of the cuff, but for some reason he just doesn't feel comfortable doing it... or doesn't feel it would transmit whatever message he wants to convey. but like you said, if you heard it once it might sound good, but when you know it's exact same speech at every show... well. not that funny, is it? 
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 "kind of weird: a tribute to the dearly departed from a band that can treat its living like trash"
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#10
10-19-2013, 11:57 AM
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oh and btw Mike, i loved the structure of your post!
and although you did great job with setlist comparison, it actually almost makes it looking better than it is! other than 1 SN song swap (SOTM instead of Storms), and 3 LB songs swaps (NTF and SG instead of IKINW and Go Insane, and i guess Eyes instead of Oh Well if you count Oh Well as LB since he's the singer/performer) and SYLM drop, it's almost exact same setlist from 2009, and like you pointed out even parts of it are in the exact same order.  oh yeah they added Sad Angel and WY.  yeah, in isolation it's a great setlist, and the show is very tight. well, aside from occasional rambling that is getting longer and longer as the tour progresses but at least keeps some hardcore fans amused  (ending speeches were so long in Glasgow that most reviews were saying it was a great show, but probably still not over - Stevie Nicks and Mick Fleetwood are probably still rambling somewhere in Hydro ). but with almost 3 hours they could have done so much more. not to mention they should consider the sacrilege of mixing up the setlist from show to show!   interesting re Peacekeeper, in Cologne someone upfront had huge banner requesting Peacekeeper. LB signed it from the stage, while he was sitting down during WT drum solo, and said that unfortunately, he cannot do it this time.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash"
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#11
10-19-2013, 01:34 PM
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His speeches are so short that it's hard for me to have an opinion on them. I repeat them and always want to throw in a word (like in the old days when he paused before saying 1987) but then they're over before I can think too hard about it.
Michele
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#14
10-19-2013, 04:41 PM
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http://politiken.dk/ibyen/nyheder/mu...ind-i-nutiden/ [translated]
CONCERTS 19 OCTOBER 2013 KL. 7.9 A frayed Fleetwod Mac bit her into the present BY SIMON LUND When Lindsey Buckingham and Stevie Nicks as the last took the stage again for the first set of encores in Herning, came the roll up hand in hand. As a mark of their rediscovered friendship. They have done every night on a tour that has already rounded over 50 shows in 2013, and in that way it could look like an empty ritual of privacy indifferent sphere. But for a band like exactly Fleetwood Mac is the kind of signals from the personal stores a part of the music itself. It is there in the nodes, the music arises. Most and best of sputtering conflicts. Several decades later the shattered dreams back in the songs that blowfly in a golden lump of amber. Unpolished and scratchy In Box on the heath was chemistry between Buckingham and Nicks reopened level. And Maybe this was why that Nick first joined the fight in the last of the nearly three hours, the concert lasted. Until then she had left both combat and scene Lindsey Buckingham. A responsibility he oxides gladly took on himself and pulled the 8,500 enthusiastic spectators with more unpolished and scratchy concert than one would expect from the Californian dreamers. Not many band has turned so much music and capitalize on their private relationships as Fleetwood Mac. The internal divorces, bitter love and grueling turmoil behind the scenes time and again on crystallized into new songs. Not least in the monstrously-selling 1977 album 'Rumours', where the chaotic emotional life purged of cocaine and draped in gennemmelodisk soft rock. Just part prog and punk But Friday night there was not much left of it nicely embalmed grief. Good enough stuffed 'Rumours' with song titles such as 'Second Hand News' and 'Go Your Own Way' a great deal in the 23 songs long set list, but the songs are originally honed sound was partly long smeared by a poorly tuned sound, and term Buckingham in attitude more towards the sneering successor, 'Tusk'. The Fleewood Mac by his own admission wrote of going against the recording industry logic to "repeat the success of the dead '. With equal parts prog and punk in his fiery attacks on guitar and wailing song at the moon on a stamping released of 'Not That Funny' and peeled version 'Big Love', it was Lindsey Buckingham, who left his mark and saved a little long evening. One evening there suffered too much no matter talk, too many mediocre songs and Stevie Nicks, who gave it as worldly luxury hippie (who apparently believed that her banal stories was a very large part of our time worth) instead of the Gothic Countess of obscure emotion, her voice has in it. The energy made the difference when it comes down to is Fleetwood Mac on the dynamics between Lindsey Buckingham and Stevie Nicks. In the background, Christine McVie as a songwriter delivered a sea of group hits, and in Herning, the two oldest band members, bassist John McVie and drummer Mick Fleetwood load and burst into the engine room, where they saw to it that rhythm section pumping blood to even the more wayward songs like 'Sara' and 'Eyes of the world'. But it has always been in the contradiction between Buckinghams bright male voice and Nicks dark female vocals that Macs magic has occurred. Today, his voice tired and hoarse as she's got a beautiful patina that with a few stanzas may indkasple essence of a whole song in an instant. If she did bother. Among young musicians today as Haim and Florence Welch is Stevie Nicks, who is the source of inspiration. But Friday night in Herning, it was Lindsey Buckingham's energy that made the difference. Even when he got a second guitar solo loose, he was insistent facing the predictable to a burning necessity. In just this or that song that we otherwise have heard so many times before. It was far from a perfect evening. The concert faltering and scraped a low base level along the way, but just the will to want something with their songs rev Lidsey Buckingham Fleetwood Mac out of the past, they are all tangled annoying much into, and stamped it kontrsatfyldte band in 2013. For the clothed them to be an unsightly affair where the songs did anything but hold nicely in the hand.
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#15
10-19-2013, 04:44 PM
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Review: Da Box was to Buckingham Palace [translated]
By Esben Strunk, gaffa.dk Saturday 19 October 2013, 21:20 http://www.bt.dk/musik/anmeldelse-da...kingham-palace They are already there, from "Second Hand News" roars beyond the stage as the first number a little over eight: They already tremendously enthusiastic fans who have gathered in a dancing cluster in front of the stage without regard to the seated audience in the front rows. And then there are (as always here on the site) they do not quite get that obviously with the sponsor tickets and shows no more interest or enthusiasm for the band on stage. From the cozy companies up in the Danish Crown and other sponsors' own stands in the hall ceiling and down the flanks, where a lady early in the set exclaims: "It is not good it here.'s Sad. Tragic." Fine form It is now a legal harsh judgment that trap of Fleetwood Mac appears actually in fine form here towards the end of an extensive tour - over 40 years into his career and with his eyes fixed on the past. Even if the group actually has a few new songs in the evening when they are back in a Danish stage four years after the concert in the park in 2009. "Every time this band has taken a break and get back together, something has happened," said Lindsey Buckingham at a time and adds "This time we went into the studio first and recorded a few new songs .... we would like to share a few of them with you tonight. " It will include "Sad Angel", which adds up naturally between the old songs - and sounds like it could have been written then. Eight-digit sales figures speak for themselves languages, and Fleetwood Mac also follows the mediemytologien about the band and especially the central album "Rumours" from '77, where the band's two marriages fell apart along the way and pop classics as the aforementioned "Second Hand News," " Dreams "and" Go Your Own Way "arose out of hundreds of study hours marked by quarrels and white powder. Wholeheartedly hit parade All are of course included in the evening, where the band - minus Christine McVie - in Herning with a wholehearted hit parade, which shall come to extend over nearly three hours. And include both durable songs from "Rumours" which detours to "Tusk" ("Not That Funny", "Sisters of the Moon" and a convincing interpretation of the title track) and a mini-kit midway with Stevie Nicks and Lindsey Buckingham alone on stage "Landslide", "Never Going Back" and "Big Love". They also since end the evening with a subdued "Say Goodbye" in heartfelt duet - but first after a quite extensive set where there is left ample room for solos - McVie and Fleetwood on bass and drums - while an enthusiastic Lindsey Buckingham plays unconditional starring role tonight. In dynamic interaction with the band and especially Stevie Nicks, to be sure - but nonetheless focal point of the heavy riff in "The Chain" for tonight's countless, extended guitar solos. In light of the band's history, it is obviously extra important charged - and perhaps not entirely spontaneous - that the former couple Buckingham and Nicks embrace fervently in "Sara." Since telling Nicks one ten-minute anecdote about an old demo tape from '71, which was away and reappeared - to finally thank Buckingham to take her into the band, Fleetwood for the willingness to hire the pair in his time and Finally, Mac (John McVie) for failing to prevent it: "Thank you for putting your marriage at risk by not saying" hey, we already have one girl in the band - my wife "back then." Pure nostalgia Yes, that's the whole story of Fleetwood Mac (after Peter Green!) And rolled out tonight, and it's hard to say the musical and vocal performance something on. Highlight "Go Your Own Way" concludes the set, four additional numbers in two steps follows. At the very end with Nick acceptance speech, in which she compares the audience at concerts with the Indians "dream catchers," as she remembers from his childhood in Arizona. "The songs are dreams," she says. The crowd is excited, and we have also witnessed a Fleetwood feast for all the money that has first right past when arch British Mick Fleetwood has been back on stage and declaring that "The Mac is back!" There is nothing wrong with the pure nostalgia when it unfolds as compelling as in the evening. That it is in its natural constraints, is another matter.
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Thanks for sharing that awesome picture.
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