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#31
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![]() I agree. HSML and E of 17, for sure (plus the title song and SDMHA) and that’s it. I’m not even convinced by OTR.
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#32
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![]() SDMHA is far too Tom Petty and does not suit Stevie's voice. The title track could have been something but is ruined by awful instrumentation and arrangement.
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...every time, you don't come... |
#33
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![]() Quote:
"Disgruntled, party of one!" ![]()
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I will CRUSH YOU!!!! KAREN BRING ME MY FLIP PHONE! And I'm David, not Homer!(we all should be able to change our name, at least once) |
#34
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![]() I still remember when Steve Simels, in his Stereo Review column, referred to this song as “the parts Tom Petty wisely left out of his great ‘Refugee.’ ”
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moviekinks.blogspot.com |
#35
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![]() Quote:
BD, Think About It, and The Highwayman are all snoozers. After the Glitter Fades is good, but with three such droning songs on the album, Glitter sounds like more of the same rather than the gem it was. I like the other songs though, some of them are iconic and I appreciate the country mood. |
#36
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![]() Maybe it’s the live segues that have melded the songs in my head, but I think of OTR, Edge and HSML as continuations of each other and I find the trio, different parts of the same story, with the adlibs Stevie has thrown in over the years, exciting and sultry. When I hear them through my speakers, I visualize what they’re like on stage (or what they have been like in her zenith) and the escalating energy and I love them.
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#37
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![]() Quote:
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...every time, you don't come... |
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