#31
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#32
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Now $tevie, he'd throw that old goat under the bus, run over her, back up several times and do it again. As would I, and many others here these days.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#33
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I totally agree--Christine wants her name cleared. I think she knew LB would reveal something around the email and she's totally fine with everything he said. I am one of the few who thinks she actually needs to be held accountable for her actions (or lack of) so I 100% agree, CM is totally cool with what he said. #desperatechiffonheads
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#34
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#35
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She would have helped "Lay Down For Free" which, frankly, I'm surprised the band didn't use for Extended Play.
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#36
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I don't like the engineering on most of the album. The treble is bolstered over the bottom end, the sonics are so overcompressed that your ears ring, the layering is too busy (things aren't delineated the way they were on Rumours and Mirage), the drums are weak (which might be a result of emptying out the bottom end), the panning is amateurish, and the cheesy phaser effects don't need to be there at all. Sounds like the entire damn thing was mixed by guys wearing headphones. (For Rumours, they mixed with top-quality speakers.) Say You Will doesn't lie across the entire stereo spectrum cleanly like the old Dashut and Caillat work. When you listen to it, you have to EQ it track by track to your liking—and that's only a partial fix. (The album totally sucks in the tightly confined cabin of your car, as you may have noticed.)
Too much clutter on each track, too, probably a result of high-processing computers with all their bits and bytes. Every hole is filled in with data.
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moviekinks.blogspot.com |
#37
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#38
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BuckVie is uptempo and fun. SYW is depressing.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#39
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I've always found SYW to sound a lot like 2 solo albums shoved together. When I listen to, I listen to Lindsey and Stevie's songs seperately, they make 2 pretty fine solo efforts.
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#40
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yes, I was talking about the technicalities of how recorded, not the content material.
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#41
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I understand that. While neither is an artistic masterpiece, I can overlook the flaws in the one that makes me happy. That was my point. Sorry. Carry on.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#42
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Here is an interesting fact: despite there being more songs on the Tusk album, the Say You Will album is actually LONGER than the Tusk album (by one minute!). What's also interesting to me is that Stevie's songs on SYW are relatively short (compared to her solo work) while Lindsey's are relatively long (compared to any of his work). I think it's fair to say that there was definitely a degree of compensation for Christine's absence in that regard, particularly by Stevie. Look at In Your Dreams--just about every song runs close to six minutes.
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Joe |
#43
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My Mother's Rings (unreleased, 2012-13 track) City of Hope song Grandfather Song Finito. |
#44
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I do hope that old one sees the light of day. I love it so much. It really moves me; it really speaks to the pain of loss. Nothing will ever hurt me like this again - and you know in that very statement, you give it up, just a little bit, your child-like nature... The use of the title is both ironic and poignant: Where's this City of Hope? A powerful song. *I suppose "Space Needle" wouldn't qualify as "new" now either, since it's from 2001, but it would in the context of SYW. I'm a bit confused as to if we're talking about now or then with the inclusion of "My Mother's Rings." Last edited by sodascouts; 12-21-2018 at 03:57 PM.. |
#45
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If you are asking, The City of Hope is (I think) the name of the cancer hospital where Robin and later Chris Nicks got help for their issues.
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