#31
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some people just love her raggedy voice during this time-- she'd lost her high end from the Rumours days for sure and couldn't do the quieter stuff nearly as well as even on Tusk but some folks really love that coked-out raspy voice-- I can see it sorta. She could still hit some highs and some lows and she still sounded like her former voice, just more washed out and whispery on the quieter or higher notes but she could still fiercely belt out the rockers-- and coupled with her hair and her behavior during this time it was quite impressive to watch. Nowadays she's so tame and reined in onstage people miss the passion she had then.
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#32
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I'm very amazed by the number of people that refers to Tusk as one of the better periods for Stevie's voice.
She was over-using her voice and it shows, apart from a few exception. She often sounded strained, uneven and sometimes even off-key, in an fashion that continued from the 1978 tour. She got better but then was a bit flat and guttural in a way that evidently wasn't comfortable to her natural range. |
#33
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This is my favorite Stevie period. from FMac to Wild Heart and Mirage included. I just love the tone of her voice.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#34
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Quote:
Let's say I was 2yo in 1982. Yeah, that's it. I was 2.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#35
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Looking forward to this boxset!
And if we are really lucky, maybe they will include 10 demo versions of the same Lindsey song and not bother with all those other Stevie and Christine demos. lol |
#36
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Quote:
The highlight of the Tusk boxset was without question Yesterday's Tears... Would love some exciting truly new material like that. For the most part I could take or leave alternate takes and demos, unless they are radically different from what appeared on the album.
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#37
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Yep!!! 10 demos of Empire State" or "Oh Diane" maybe both just like all the same LB demos from the Tusk set...
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#38
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I wonder if the reason for the multiple versions of Lindey's tracks on the deluxe Sets is that maybe Lindsey is more into giving permission to include that stuff than Chrustine or Stevie are? For Stevie, especially, I could see her not wanting to distribute her "practice" versions any more than they already are out there. A part of trying to control her image.
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#39
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Hello, lilyfee!
'Yesterday's Tears'? |
#40
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Haha! I would hang myself if they had 10 versions of Oh Diane...
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#41
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Quote:
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"and the woman may be awestruck and the woman may truely care, but the woman is so tired...so the woman disappears...come in out of the darkness, bella donna....my soul"- Stevie Nicks, "Bella Donna" ---In memory of my mom, Donna Jean (Jeannie) Allen Commins, 1957-2008- My Bella Donna. |
#42
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I have my original cassette tape of Mirage, which features a mix of Straight Back that is notably different from the album track, with the vocal phrase "hours and hours of waiting for you - so strong and so fleeting" being much more prominent.
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Life passes before me like an unknown circumstance |
#43
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I honestly remember that!! that version was so cool
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#44
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I've got it, too. I always wondered why they remixed it for later versions.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#45
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I'm assuming the deluxe Tusk had good sales or they probably wouldn't be doing Mirage.
When do you guys think it will be released? |
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