#301
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Quote:
But then I think it's honestly more of a range issue than anything - I don't think Stevie has much of a head voice anymore [ or she's not very comfortable using/controlling it ] so she has to power through her chest to hit the high notes. You can't sing those high notes in your chest without a bit of a push. If she wanted to float them, they'd have to be head-y...and she's very seldom gone that route in the past 15+ years.
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#302
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Agreed fully. Stripped down Stevie only works under very limited circumstances.
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#303
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In this week's issue of Entertainment Weekly (September 12), "Lady" is No. 5 on their Must List: "Nearly four decades after Landslide, Nicks gets back to the big questions on this striking bare-bones piano ballad. 'And the time keeps going on by/And I wonder/What is to become of me' she sings, her voice now a perfectly ruined rasp. Stay gold, Stevie, stay gold."
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#304
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Quote:
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#305
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I think Lady is the most beautiful recording of Stevie since 1984. Even the production couldn't ruin this. It's beautiful.
Who could be the 'he' in this lyric?
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#306
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Thank you for doing that. Now people can see the cool pic too.
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#307
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Yes thank you Suite Shangrila.
It is a cool picture. The hair mussing is sexy. Michele |
#308
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Quote:
Lady is just too long. Most of the shouting occurs in the final minutes of the song. |
#309
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Stay Golden, Stevie.
Her voice now a perfectly ruined rasp. I like that.
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#310
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I love that too. Reminds me of a reviewer of TISL referring to her vocal on Love Is as "scorched by the desert sun and full of tragic beauty."
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#311
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What is that pic from? Did a magazine review 24 Karat Gold?
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#312
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I'm guessing it's also from Entertainment Weekly.
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#313
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No, that's from the Rolling Stone article.
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