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#121
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![]() She probably has her own reasons for doing so. Maybe she wanted to try something on a smaller scale first to get that voice and those fingers trained but we'll never really know
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#122
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![]() My lord, I miss a day on the Ledge and there's a whole swarm of news! First of all, I am thrilled to hear she has 8 (ish) songs and that she is writing in her trademark style. Second, I am equally thrilled to hear her describe her reclusiveness as a thing of the past, a temporary delusion. It sounds as if she is paving the way for all kinds of possible career moves--or at least setting a record straight about what she is up to.
When she mentioned the possibility of a tour should the studio album come out I nearly **** myself. I would travel across the ocean to see her. |
#123
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I'm glad she realised that being alone in the country was a falsehood. It was never going to totally satisfy her, given the underlying creative urges. Does anyone else get the impression that we are getting Christine back, for ourselves? It was so lovely to hear her talk about performing, recording and touring so effortlessly. That therapy must have helped enormously. Of course, when I saw her at the O2 I knew she had sought help, as there's no way given her previous reservations that she'd have done it. I think we are in the edge of something wonderful.
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-- Mark -- |
#124
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However, I doubt too many people would GAF if it came out that Christine was against Bob's induction today. It's a non-story in terms of bigger press. Bob hasn't worked for a major label in over 30 years, and Christine's been semi-retired for 15 years. The only people who care now are mostly the same people who cared in 1998.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#125
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#126
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#127
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#128
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![]() It's like for every 10 years since you've joined FM, you're entitled to years of time off.
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#129
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![]() How about some speculation about what "recording in her '70s style" actually means?
I am hoping it means more piano, more keyboards in general. The five "Welch era" albums featured a lot of prominent keyboards from Christine (the 1975 White Album too) and then her keyboards started to become a less important part of the band's sound. I long to hear some good solid piano songs (like "Homeward Bound"). I think 'In the Meantime' is a great album, but it doesn't have anywhere enough piano and keyboards. David could describe what I mean in more accurate musical terminology, and I suspect he would agree with the idea.
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-Joanne (from Cape Cod) |
#130
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![]() Christine herself said that the songs are reminiscent of the Rumours era. Though I wish for more piano/keyboards too.
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#131
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You remember how she used to say that she writes what is needed. Sounds like someone told her something "commercial" was needed. Michele |
#132
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![]() Since she's not really writing for anything else, I'd say it was her muse talking to her.
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#133
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I also believe with LB and SN harmonies, CM's tunes would have been even more sublime than they already are.
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#134
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"What a f**king stupid shirt you're wearing." - Christine McVie |
#135
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But then there's "Forgiveness" which is so perfect as it is that I wouldn't have wanted her to share it or alter it on a Mac record... |
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