#121
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I really hope they do a Soundstage or similar recording of this tour and yes I loved Hypnotized.
Last edited by gldstwmn; 10-04-2018 at 03:17 PM.. |
#122
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#123
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#124
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^^^ Please. They professionally record every tour so a blu-ray release of this setlist would be KILLER.
__________________
"I am just one small part of forever" -Think About It (The song that got me into Stevie Nicks) "The face of a pretty girl x1,000,000" -Isn't It Midnight (The song that got me into Christine McVie) "The sun is bright, but not too bright to see. When the darkness comes you've got to fly into the light." -Doing What I Can (The song that got me into Lindsey Buckingham) "I can still hear you saying you would never break the chain" -The Chain (The song that got me into Fleetwood Mac) |
#125
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His voice does sound well suited to that song.
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#126
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Quote:
Venues will always claim to be sold out because it makes the venue look better, more appealing. Most hockey and football venues will claim sold out status AT THE EVENT, whether they are or not. Hypes crowds for upcoming games. The only way to know for sure, is to ck Ticketmaster (or sites similar) just before an event to get an accurate reading of what is left for sale. |
#127
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Quote:
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#128
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#129
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#130
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Does anyone have a video for All Over Again?
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#131
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I noticed that too. I think something happened to the monitor. She points and Mike looks and then says something to Chris and then Stevie. Hopefully it's a better performance next time. It's a shame she has lost so much range in her voice. Her vocals on the recorded Free Falling were so good.
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I have changed, but you remain ageless |
#132
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And.....mic drop. Some people are so hell bent on hating, they can't keep track of their own complaints.
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#133
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Great concert, here and there. My two favorites are
Storms. Excellent performance, even better than the 2009 rendition. I don't know anymore who is playing what because there are so many instrumentalists—who's playing the delicate Fender Rhodes lines? Who's playing the subtle, poignant string patch that swells in and out of the sound field? The arrangement is a homage to the old studio track. Chillingly good. Only one flaw: The song should have ended on a B minor, not a D major. You could feel the B minor coming for the final minute, and it should have resolved to the minor—it was like a word on the tip of your tongue that got replaced with a less suitable word because you forgot it. Hypnotized. Another great performance, very studio-ish, very careful. Sometimes the carefulness is boring, but sometimes—like on these propulsive ballads—the craftsmanship adds to the emotional punch. Somebody is playing the hypnotic electric piano part from 1973—again, don't know who. Glad it's there because it adds to the elegance and mystique. Backup singers are always best when they don't sound like backup singers. On this one, they sound like beckoning sirens in those Carolina swamps. I'm looking forward to hearing some of the others, like All Over Again and Don't Dream It's Over. Would love to hear one or two more early slow blues, like I Loved Another Woman or Before the Beginning. I'm not looking forward to hearing The Chain, Dreams, Gold Dust Woman, and so on because, like Rhiannon, those same arrangements are being trotted out for the 100th time. Nothing special or unique there. Those songs are withering on the vine until and unless the band opts to reimagine them somehow. Idea: What if they tried Crystal with Neil Finn on lead vocal and Stevie on harmony vocal? I also think Southern Accents would make a better tribute than Free Falling, which sounds like dodgy curbside garbage.
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moviekinks.blogspot.com |
#134
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If they performed Crystal, I think I would cry tears of joy.
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#135
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Dreams:Tulsa
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