#106
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Bump. I hate to keep reviving this thread, but I hate it seeing die, especially with all these very talented members sharing their work. Please, let me know if I'm beating a dead horse.
Like The Others Do Don't make me Don't make me think that... I'm a waste Don't break me... Like the others do I get a taste Of what I'm faking When I'm with you I get a taste Of what I'm taking Of something new... With your powders, your pills, and your pen and pad You make me feel... not so bad In a world gone mad, had up by us people All I want is a needle To be in the arms Of an angel... Like the others do I get a sense Of what I'm faking When I'm with you I get a taste Of what I'm taking To be not like I used to be And all the empty Melts away And all misery Doesn't need me today Too selfish for company And all the empty Just melts away Like the others do I get a taste Oh what I'm taking To not be like I use to be When I'm all blue In a green, green world of taking What didn't used to And here is an apology For who I used to be And here is an apology For who I am now And here is an apology It's all you can get from me Now... |
#107
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No need to apologize at ALL!!!! This is one of my favorite threads- fantastic writing by the way!!!
__________________
New Song, "What Love Is"- Check it Out! |
#108
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Just wrote this this morning, as of right now, the running title is "The Regathering"
Verse: She speaks some slower, so no one hears what she's thinking. To playfully ride in the back, of somebody's fulsome gray stagecoach. The bar's been set above the Lancaster ceiling. Yet she could only imagine where to begin. He stares behind the stark white sand of September. Pretending on why, for years it's been alone. The handsome skies, are bleeding such crimson right now, As he hands it all on the plaster wall. Chorus: The same old story's the show now. With the same talented players, with the same parts. Some stately man sits upon the window. As he watches the glass reform after the fall. Everyone else runs together, joining hands, laughing. Two unmet lovers decide upon the regathering. Her thoughts grow slower as she steps onto the stage. She sets the pages down, the yellowing with age. He's nearly on the other side of the Rudy long mile. Sitting back at home- he begins to write awhile. Chorus The story transpires- like it's never been done before. Mr. Rudy falls down, but then he meets Eleanor. They run into each other like some pre planned meeting. Then they hold hands atop the Lancaster ceiling. So, what do we think??????
__________________
New Song, "What Love Is"- Check it Out! Last edited by Musicman408; 06-16-2010 at 10:20 AM.. |
#109
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Alright, two more.... in case you can't tell, I am currently jaded and pissed at every male I've ever known. Ever.
Syncopation I told you to put your head there on my chest as we lay in our bed. I wanted you to hear my heart beat and seamlessly float into its rhythm, our rhythm of delicate sways and boundless ease with no name and face and age, no latitude and longitude. I wanted your heart to not be alone for a while, to follow. As you sleep, I collect your snores and sighs in a jar under our bed. I swallow them like water, gulping you in until morning, when you insist to once again become plottable. We split, we multiply. Into all of our moments without one another, into all of our feigned strengths, embellished and worn, adding distinct recognition to each syllable of our names, differentiating. I climb into this bed— our bed— and watch the demarcation. I watch you lean into my body and consume the smell of my skin, I feel your palms stretch underneath me, their desperate hunger for completion. We have diverged and we have merged, monogamous in a moment, synonymous in an experience. I hate myself for loving how you love me the way you can. |
#110
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Untitled
The moon swayed against her bare back every time the wind pushed with enough vigor to weave her body left. Its light hugged the swell of her breast, swiveled down her side unevenly. For a moment, she was fully exposed in the paleness. Then the wind would rise up again and the broken pendulum would shift left like before, swallowing her body in darkness. She eluded both the dark and the light, unable to balance herself on the grass below her naked form. So she swung back and forth, left to center, dodging the shadows for the light before involuntarily swinging back into the black again. She was used to this inconsistency; the artist in her could sense it from simple moments like this one. Everything became a metaphor once she acknowledged her thirst for one. She wanted to believe that her inability to stay still was somewhat uncontrollable, like the way the beads of a kaleidoscope fall with the slightest movement, like the wind that eased her sideways. So she spent a good part of her evenings on the grassy hill behind her house, rising and falling with each breath, swinging left to right inside of the evening's unpredictable beat. This is the woman I fell in love with. A woman who defined herself by the world surrounding her, a woman who eased her way into the universe as precisely and delicately as I eased my way into her mind, into her open body. This woman was poetry that flowed in the perfect places-- her hips melodically dipped into her waist and rose up again, billowing into the fullness of her chest. Her eyes were the punch line that killed, that broke the immaculate curvature I knew so well. Sometimes, I'd find myself lost in her softness, wrapped in the overwhelming effect of such subtlety. I'd watch her write in bed, following her lips and her hair and her spine and her fingers until she'd catch me staring and stare right back, breaking her general sense of tenderness with something staccato and poignant. Her eyes reminded me that she had meaning; she had a distinct and riveting pulse. She existed beyond me; she existed beyond herself. And then she fell in love with me in return. She let herself succumb to the warmth between us and melt, molding inside of my every breath. She abandoned each curve that she loved, slapped her arms lifelessly around my ribs, dropped the look in her eye that once kept me hungry. All of a sudden, her pulse walked in step with mine. I was lost—slithering away from her on a buttery track that she had kneaded with her own hands. Each touch became a more and more obsessive attempt for completion; she searched my body with her fingers, frantically seeking any trace of herself in my skin. And as she slept, in her only gentle moments free of desperation, I realized that she had cascaded into the most beautiful loss of self that I had ever seen. |
#111
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Dani, two pieces in a day? That's AWESOME!!! I'll read them tomorrow morning since I've been working on school work ALLL day today.
I'd posted this earlier, but thought I'd repost to get some feedback! The Regathering Verse: She speaks some slower, so no one hears what she's thinking. To playfully ride in the back, of somebody's fulsome gray stagecoach. The bar's been set above the Lancaster ceiling. Yet she could only imagine where to begin. He stares behind the stark white sand of September. Pretending on why, for years it's been alone. The handsome skies, are bleeding such crimson right now, As he hands it all on the plaster wall. Chorus: The same old story's the show now. With the same talented players, with the same parts. Some stately man sits upon the window. As he watches the glass reform after the fall. Everyone else runs together, joining hands, laughing. Two unmet lovers decide upon the regathering. Her thoughts grow slower as she steps onto the stage. She sets the pages down, the yellowing with age. He's nearly on the other side of the Rudy long mile. Sitting back at home- he begins to write awhile. Chorus The story transpires- like it's never been done before. Mr. Rudy falls down, but then he meets Eleanor. They run into each other like some pre planned meeting. Then they hold hands atop the Lancaster ceiling. So, what do we think??????
__________________
New Song, "What Love Is"- Check it Out! |
#112
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Haha, sorry to burst your bubble but nope-- I just forgot about this thread until now.
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#113
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First pop at a sonnet.
So as I stop to tie my shoe, The rain does fall upon my back. I look up to the swing which I outgrew, and then glance to mine own name carved upon a weathered plaque. The wind whips my florals about my knees, The tired old swing creaks and groans. Whilst Mr. Wind whistles to a gentle breeze, Yet still he rattles through my aching bones. As I press on, my skin cracks, My lips blister. and I think of my kingdom and that which it lacks, My mind wrought in a deep, gray twister. I wish for a bed under the stars, on which Mr. Wind can steal my woes, calmness upon me, he bestows. Last edited by ButterCookie; 10-18-2010 at 11:35 AM.. |
10-18-2010, 11:30 AM |
Silver Springs |
This message has been deleted by Silver Springs.
Reason: nobody read it anyway...
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#114
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A Nautical Room
Your sweet breath swells into mine, fills a sail softly undulating as if the winds of the world waned away. So you blow heavy on my back when the sound of your discomfort fills the room; you slip into my sheets and watch them billow above us, giving half-satisfying direction towards a horizon lost. So we sail on, buck up, tie our shoes and wait while sea water slaps against the hardwood floor and the breathless coastal fog hovers above our bed. So we wait for the instant when I can make you better, wait for when ecstasy isn’t a curse, wait for the moment when you can finally love me, wait for the day I raise mast by myself. |
#115
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Quote:
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#116
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Glass Messiah
I have a crown of thorns twisted in my side, its bleeding and festering and somehow healing me from the inside out, wrapping its arms around each muscle and vein, stretching and squeezing until I stop. I stop fighting back, stop asking you to make me holy again, stop begging you to give me a reason to pull this tiara out of me, wash it with some holy water and wear it on my head like the messiah I was meant to be. I stop bathing my own feet, kissing my own footsteps, weeping in my own untimely death and all because I’m not as satisfied as Jesus was to be naked and forsaken. I can’t pretend to love myself well enough for you to love me, too. So please leave me on a dirt road, make sure I’m shoeless. Break both my legs and say, “walk.” Break me beyond recognition, enjoy the clamor of the shatter. F*ck me up so badly that I have no choice but to start from the ground up. Douse me in self-loathing, wrap me in the ugly truths, believe that I shouldn’t be believed in. Because I’ll never make myself into anything until I’m absolutely nothing to you. Last edited by daniellaaarisen; 10-18-2010 at 02:20 PM.. |
#117
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#118
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Quote:
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#119
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Syllables confuse me so much it's actually embarrassing
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#120
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Clap them out! it's supposed to be 10 syllables, all in iambic pentameter. Seems like you understand iambic fairly well though.
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