#76
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Back to the Homer, that he was... to the Homer.. that he wassssss
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#77
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I sent my shawl out for more bedazzling. It's in the shop until next Tuesday.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#78
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Does your apartment have a shawl only closet? Persian rug? |
#79
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Oh, and just so I post something at all relevant to the thread topic:
Behind the Mask is interesting. It's not terrible, but also in no way is it terribly great. I like about 4-5 songs. The rest aren't bad but just really do nothing for me. Love is Dangerous In the Back of My Mind Save Me Behind the Mask Freedom It's not as dated sounding as Tango is, but despite having some duds, Tango just sounds more like what I expect from Fleetwood Mac. Some of BTM just sounds like any forgettable 80's/90's adult contemporary artist. |
#80
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#81
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If only! “Skies” just gives me hives. I mean, Stevie’s contribution to “Oh, Daddy” (and I can’t walk away from you, baby if I tried”) is ungrammatical, too, whereas the original line Christine had there wasn’t, but bad grammar doesn’t really bother me. Last edited by aleuzzi; 04-05-2021 at 11:42 PM.. |
#82
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How's that?
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#83
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I was going to add my list of songs I like from that album, but I realized fast that I couldn’t even remember the songs or the running order without looking it up online. I don’t remember all the song titles or what’s on side 1 or side 2.
If I happen to hear some of it, I tap my foot and drum on my leg a little. But I basically have no nostalgia for that album at all. It’s out of sight, out of mind for me. Unless it’s playing somewhere, I don’t even remember it. Looking over the track list, I think I actually like “Hard Feelings” the best. The songwriter wrote “Wind Beneath My Wings,” weirdly enough. I think there’s a dearth of really catchy hooks in these songs, and nothing terribly interesting is going on with the orchestration — most of these sound as if the basic tracks were recorded live, like the early Mac albums. But unlike the early Mac albums, these songs aren’t very tough or funny — there’s no attitude. No one in the band sounds very happy or very sad or very angry. Just a bunch of multimillionaires lounging around a recording studio, earning more money. And Ladanyi doesn’t sound any more engaged than the band. This is Fleetwood Mac’s “let’s make an album because what else is there to do at the moment?” album. You can tell that absolutely no one involved in it felt any sort of artistic or emotional compulsion to “get something out” of themselves. It all just feels like an extended advertisement. The album is really soporific, which is probably why almost no one bothers to listen to it. I’m off to listen to “Hard Feelings” again to see whether it stands up to a second listen. It’s not the Beatles, but it has a little Beatles in it.
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moviekinks.blogspot.com |
#84
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#85
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Seriously, Sugar Daddy is the best. |
#86
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Sugar Daddy blows any song on BTM, away. Can you imagine?
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#87
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I was watching the Christine McVie laserdisc concert on YouTube and marveled at how effing cool “One in a Million” sounded. That fat Hammond, Sharp’s searing guitar. Christine’s ultra cool vocals.
Man, she knows her R&B. Wish she’d do one more album of songs like “Anything is Possible” and “Forgiveness.” |
#88
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#89
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Her and Donald Fagin. Imagine!
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#90
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I am always amazed at the love for Hard Feelings on this board. IMHO its the worst song on the album. I dont think Billy can sing very good and its such a D list song. Its something I would expect to hear on amateur night at some bar and grill with a local band.
But to each their own. I like most of this album more than Tango. Its more rock n roll and wow we hear that bluesy rhythm section humming in a few songs that we have not heard in a long time. Its completely unconventional which I love. No computer bass lines, no pre-programmed stuff like on Tango. Mick, John, Chris and the new guys play everything. I like the title song but I think it could have been so much better with a few refinements. My favs are: In The back of my mind Save Me Love is dangerous Skies the limit Freedom When It comes to love Do you know I can dig when the sun goes down Everything else is meh.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
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