#46
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thats the... coolest... f**king squirrel... Ever.
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#47
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And you guys don't think Jam/Lewis would do a good job on a Mac album?
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
#48
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Now there's an idea....
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I'll follow you down until the sound of my voice will haunt you...you'll never get away from the sound of the woman that loves you... |
#49
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Third day of listening: It's a small wonder; the diversity of songs, the rich melodies, the impeccable idiosyncratic production, the guts to do something different in every frigging song, using repetition in lyrics with always a slight addition/change musically, the rythmtracks that are highly original and different from eachother, it's all incredible. And the thing just floats. I don't have a fave on this record yet. It's simply stunning as a whole.
I don't know what happened with the guy, but he just HAS to go on with his homerecordings, although you could also state that he coul retire after this achievement. It's that amazingly good.
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#50
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Not that we want him to retire. I'm sure he wouldn't be able to, anyway. He'd probably stay in his studio working until he's unable to even use the lavatory unaided lol. |
#51
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such diversity of songs, and they all fit so well together! |
#52
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I like what you guys are saying about the diversity of songs.
Obviously, we had the ballads. Then I was struck by how different One Take and Illumination were from the rest, but I didn't know if there might be 5 songs or so that just melded together in a pleasant, but indistinguishable blend. Glad to hear that's not the case. Michele |
#53
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No. it's a unique set that hangs together very organicly, to my ears. Against the opinion of elle, I think that TTWLG is a great studiotrack that really rocks. Ofcourse it worked perfectly live, but I really feel he's captured that rockfeel in the production.
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#54
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I'm excited by the admiration from the first listeners and even more hyped for the tour. You know, there are songs like YKINW that the general public doesn't know, but they hear them live and are galvanized by the song's energy anyway. That's how I feel this tour is going to be. The people are going to react to the excitement of the new songs. It's like I never appreciated Doing What I Can until I heard it live and I think at least half of the SWS songs will have that same kind of spark in concert. Michele |
#55
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I actually think his voice is stronger on this album than the previous two.
I don't particularly like "Thats the Way Love Goes" either... But shackin up is right... the album just floats and has a great cohesiveness. Favourite tracks: Illumination Seeds We Sow In Our Own Time Rock Away Blind Gone Too Far When She Comes Down End of Time She Smiled Sweetly That's The Way That Love goes bothers me in the sense that it sounds like something you'd heard at a carnival. It's a little too bright in it's acoustics. Same goes for One Take... it almost sounds like he's gonna start rapping at one point. haha... They aren't bad tracks, just ones I'd imagine I'll be skipping over.
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#56
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About the voicetrickery: Lindsey takes you with him in his world here. Maybe if you compile a mix-disc with two LB songs in between other tracks of other bands, you'll hear it. But on this album the highly cultivated sound sounds almost natural, if you know what I mean.
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#57
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for TTWLG, there are slight differences even in the guitar parts from the live version, and i just think that everything in the live version was perfect, so maybe that's why i don't like the album version as much (but there's the whole pop-ified thing too). |
#58
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#59
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I guess that's an improvement over the UTS raspy sound that alienated some. But you're right, maybe since we heard the clips first that that softened the shock. Michele |
#60
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yes, even reading the comments on this board, i'm surprised that like that interviewer many people comment on the sound of his voice on this album as that really is how he sounds naturally. i'm assuming many of these people were primarily here because of FM or SN, and maybe that's why they don't notice it that much. so maybe aside from just several of us, most people don't even notice it? and then some do notice it, but like it that way, and appreciate his play in the studio...
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