#316
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Keeping in mind that they co-write 3 of the songs. And Christine's songs are inherently going to feature Lindsey quite a bit because he's the guitarist and producer.
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#317
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I don't understand why they didn't release one of those three songs as the first single.
__________________
"I think what you would say is that there were factions within the band that had lost their perspective. What that did was to harm the 43-year legacy that we had worked so hard to build, and that legacy was really about rising above difficulties in order to fulfill one's higher truth and one's higher destiny." Lindsey Buckingham, May 11, 2018. |
#318
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I'm thinking its totally possible that they released this Christine lacking track first to tease, keep interest/anticipation up until they release another single, closer to the release date. I also find it very plausible that the lyrical content is a subtle jab at Stevie, as others have expressed. Really dig this sound, and if this is the weakest of the batch as some are suspecting and hoping is the case, I think we're in for an incredible album.
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#319
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__________________
"I think what you would say is that there were factions within the band that had lost their perspective. What that did was to harm the 43-year legacy that we had worked so hard to build, and that legacy was really about rising above difficulties in order to fulfill one's higher truth and one's higher destiny." Lindsey Buckingham, May 11, 2018. |
#320
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Not really a single per se, more just a taste of what's to come, and I really believe the next track is going to be very Christine. |
#321
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__________________
I remember it all...you just had to fall... |
#322
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I imagine this song was completed before she returned. Okay. But what I, as so many have been bitching about, is that she should have been strongly encouraged to provide harmonies on it. That would have made the song fantastic and would have given credibility to the aim of the overall project. Instead, Lindsey is doing here what he often does: a solo album within the context of a greater band effort. There is no reason for this when you have a world class singer simply sitting there beside you. Stevie sang harmonies on his SYW songs, and on his extended play material. Why no Christine here?! |
#323
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#324
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Is this song really a jab at Stevie for refusing to record with Fleetwood Mac? (I certainly can't tell from the meaningless verses.) And was this one of the songs they presented to her in 2012 to sing along to? If so, then why is anybody surprised she refuses to have any more part in this frankly tiresome drama? Why would anyone in her right mind sing harmonies to a song deliberately mocking herself? It now transpires that for once she has shown some sense and discretion. I used to think that she was being selfish for refusing to record with Fleetwood Mac, but after listening to this undercooked (after 5 years of roasting!) song and reading the comments about its intent, it is crystal clear that it is Lindsey who is being childish and petty and needlessly provocative, and who has an inflated sense of his own position in the scheme of things. Not everyone wants to be "In His World." I wonder if his kids roll their eyes every time he breaks into one of his eternal chain of being speeches
I feel like being childish and petty myself and buying 24KG instead of BuckVie on June 9 I'd definitely rather to listen to All the Beautiful Worlds than this epitome of churlish and musically vapid smallmindedness. Poor John, I could almost feel the desperation as his bassline tries helplessly to counterpoint and to provide even a smidgen of variety to distract the listener from Lindsey's ping-ping-ping motif repeated over and over as if it were a motif from Die Walkure. But not even the greatest rhythm section can propel a song that has almost nothing going for it. They had better have a Little Lies Part II there somewhere or BuckVie will tank even worse than Time. Thank goodness it is not going out under the Fleetwood Mac label. Tango is now officially the swan song of the Classic Mac. Now I wish I could change my screen ID, darn. |
#325
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The chorus of IMW reminds me of Underground in the way the backing vocals are processed. I love what he does with the vocal layers in both of these tracks. But ultimately it is closer to DYMM than Underground. Miss Fantasy hasn't grown on me. It's fine. I won't skip it but I won't pick to play it. I really hope this is your least favourite track from the album and that the rest of it is more to your liking Hopefully this one grows on you as well. If not, hopefully all your potential favourites are being saved for his solo album Quote:
I've had a play around with it and I think he's sped himself up by two semitones. I like how it sounds, but I can get that people wouldn't. |
#326
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As the unofficial referee of this board, I am blowing the whistle and crying foul.
There seems to be many comments about this new single that state it sounds too much like a Lindsey solo song. Excuse me? Many of these same posters claim Tango and Tusk as their favorite Fleetwood Mac albums. I just don't get it. Lindsey's Tango songs were stripped of any Mac identity but yet they love them. Same with Tusk. Why is this single being treated different? This song on Tango or Tusk would sound so much like Fleetwood Mac. At least it has a real bass line that may be John McVie and Mick on drums. Please explain.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#327
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#328
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#329
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#330
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Well, it was my error for not doing so!!
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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