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#16
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Oh Diane isn't that bad. It's a bit of fun, if cheap. Kind of in the same ball park as Lindsey's Bwana and That's How We Do It In L.A. Wierd for the sake of wierd, if you want to simplify it lol.
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#17
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Finally you said the right thing that will keep you from the chopping block.
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#18
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And to top it off, WB released it as a single in 1982 and then I was forced to listen to it on the radio. AND THEN I had to explain to people WHY I was a fan of FM! |
#19
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
#20
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I'm not too keen on any of Lindsey's songs on Mirage. Eyes of the World, Book of Love, and Can't Go Back are nice enough, but that's all.
Oh Diane and Empire State makes me want to hurt small children and puppies.
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Kimberly |
#21
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I love Lindsey's work on it too -- I just don't think that work is best exemplified on his own songs. Michele |
#22
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I tend to agree with this. I remember my brother’s girlfriend bringing ‘round a copy of Bella Donna and friends said FM were much better and I went out and bought Mirage. Since then I was ‘hooked’ on this album and Lindsey in particular. His individual tracks aren’t his best and I have this notion that maybe he spent months working on Christine’s and Stevie’s tracks and his own were then something of a rush at the end. The arrangement of Hold Me, the production of Love in Store (that elevated it above what Christine wrote/demo’d), the guitar playing on Straight Back just seem to represent more effort than he put into his own songs. Having said that ‘Can’t go back’ is wonderful in my opinion. |
#23
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I was always perplexed by the retro style/approach he took on his Mirage songs. I tend to agree with what another Ledgie said -- that it was Lindsey's response to the backlash he got in the aftermath of Tusk.
That said, his songs have grown on me. Eyes of the World was the immediate standout. Empire State was also interesting. I've come to appreciate the simplicity of Oh Diane. But I'm still surprised that it was selected to be released as his single...and that it actually sold/charted respectively in certain markets/countries! It's such a light-weight sliver of a song. Though I didn't intially like the clankity-clank production of "Can't Go Back," it has become one of my favorites. Wish they would have performed it live. It was actually a single in Europe -- I have a picture sleeve single of it.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 10-17-2010 at 10:30 PM.. |
#24
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What's even more annoying is that two really good tunes--Goodbye Angel and Teen Beat--were left off Mirage. |
#25
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If I stick to what I think of the studio cuts of LB's Mirage songs, then the one that I dislike the least is 'Can't Go Back'.
If I take the songs in a more general sense of what comes to mind when I just think of them generally, then the live 'Eyes of the World' actually transcends into being enjoyable! Loz |
#26
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Goodbye Angel is Say You Will, right? If so, I'm shocked at how far back it went, almost as much as when I found out that Planets of the Universe wasn't just from before Trouble in Shangri-La, it was almost a Rumours song. |
#27
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No.
Goodbye Angel was released on The Chain: 25 Years. You might be thinking of Goodbye Baby or Say Goodbye.
__________________
"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
#28
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You've got to wonder what they were thinking when they made these decisions about what songs would go on the album. Along with Goodbye Angel and Teen Beat, they also left off Smile at You and If You Were My Love, which are certainly stronger than Straight Back. Alas, missed opportunities.
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#29
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I didn't know that. See, those song titles sound too close, and wityh a heathen fan like me, I'm bound to get 'em mixed up.
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#30
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