#16
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#17
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#18
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Quote:
http://www.fleetwoodmac.net/ledge/sh...60#post1051360 Yes, I played piano on Kiln House, including Wurlitzer on Tell Me all the Things You Do. On Coming Your Way? No idea. Interesting that she didn't care for the "a slice of classical music, something like Brahms played backwards that comes in the middle of a jam session. I didn't really see the point of that." I had always wondered about that bit of Searching for Madge, too.
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There's no use in crying, it's all over Last edited by Mr Scarrott; 11-22-2023 at 02:21 PM.. |
#19
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I still think there’s some Moog on “Oh Well, pt. 2” in addition to the orchestra and recorder.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#20
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The droning sound came from a cello, which was played by Green, although it's entirely possible that a Moog was layered underneath it.
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