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#16
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Michele |
#17
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Jbby - I have that GYOW mp3...shoot me a PM with your address and I will email to you. |
#18
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Oh yes I bought 3 t-shirts from that tour (NYC), one has the The Dance cover album, but all of them said "The Reunion tour" with the cities list
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#19
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Rick has excellent chops & a lot of soul, guitarists tell me, but over the nearly two years he was on the road with Mac, his playing never evolved. You can pick any live song on which he's prominent from the first few weeks of his tenure with the band, & then pick the same song toward the end of the last tour he did with the band, & you can't hear a difference in the extemporaneous aspect of the playing. It's uncanny! It's akin to listening to Stevie Nicks sing live these days. (Can anyone really tell the difference between a STAND BACK from 2005 & one from 2008?)
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moviekinks.blogspot.com |
#20
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#21
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[QUOTE=David;759838]I defy anyone to listen to Rick on THE CHAIN from both 1987 & 1990 & to tell me, without knowing beforehand, which audio is from which tour. QUOTE]
Totally agreed. There is no difference at all. Same for Billy's vocals on Go Your Own Way. The passion is lacking altogether. I never have gotten on board with the love fest that some have for the "new" non-Lindsey versions of GYOW. The bland vocals and anthem like arrangement and solo take away from the raw emotion that the song should bring out. And I can't buy that only Lindsey can sing those lyrics with emotion....I mean, who hasn't had an ex they wanted to tell off? Of course, in the later years, Lindsey has done his own version of blanding down the vocals on GYOW....but that's another story. |
#22
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Michele |
#23
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I was at the forum the nights they taped the Mirage shows for Showtime ..any number of Tusk tour shows blows those performances away ..I'll go with my first FM show ever Dec 1979 at the San Diego Sports Arena and that version of SOTM ..no speaking in tongues but still intense.
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Children of the world the forgotten chimpanzee..in the eyes of the world you have done so much for me. ..SLN. |
#24
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I feel that the Sisters Of The Moon from the Mirage concert captures each member doing what they do the best. Lindsey's hard driving guitar riffs battle it out with Stevie's take no prisoner vocals. Lindsey shares vocals by singing a verse too. Mick certainly plays up his role by having beer dumped down his throat and looking crazed in general. Christine looks sexy, drunk, and jolly as ever... all while backing the band up with her flawless keyboards. John stays in the shadows as always, but really brings the house down with his bass riffs. I feel personally that this one song performance totally captures every single person doing what they do the best. If you could tie up everything that the Rumours era Mac was in a neat little package, this performance is it (for ME at least!) |
#25
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I'd have to say August 29, 1977 at the GW Forum was the peak for me as far as the "whole show". Everything after that was on the downward slide...they'd have 4 or 5 song stretches of grandeur here & there during subsequent tours, but that "Hot August Night" was the peak for me.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#26
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This makes perfect sense. I mean, "Don't Stop" is Chris' song but I would think based on the live performances, many casual fans and newbies would think it was Lindsey's.
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#27
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#28
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In the old days, she was more hidden while standing because the Hammond was in its original case & she generally had two keyboards above it. But when she got the Hammond recased in a smaller console (in time for the 1977 tour), she was a little more visible from the audience. She was fairly nicely visible from 1977 on, once she cut the number of instruments back. Certainly more so than Mick. Christine's biggest visibility problem was always that the stupid cameramen ignored her.
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moviekinks.blogspot.com |
#29
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The answer to this was actually really easy for me. No song showcases every danmed member of Fleetwood Mac all at their "Zeniths" like a REALLY GOOD live Rhiannon from 1975-1980. And I mean really good. Midnight Special don;t cut it for me. There's about a 7-10 way tie that do cut it for me. Almost any of the Tusk bootlegs I have are included. But so is Largo 75, and a few from 77 and 78. Just you have the obvious Stevie at her Witchy Vocal Exorcism Zeneth. Lindsey's had many guitar Zeneths but you cna't argue that his Rhiannon solos have to be some of his best. Not just the solos, the slow build up to Stevie's finish have some of his most psechadelic licks ever. And speaking of the slow build up, did someone say Christine's finest playing ever. Her danmed piano playign is the freaking glue that throws the song into outer space, then Stevie lets out that wail before the dreams unwind part that throws it past outer space into the after life, but first is that hypnotic piano. And Mick and John are all over the song with awseome drumming and bass. SOTM may have temporarily borrowed the title for a milisecond, but Fleetwood Mac performing Rhiannon from 1975-1980 is their Zeneth.
Green Manalishi Live comes close, but there's not enough of a Chis showcase.
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Never Dance with the Devil He Will Burn You Down |
#30
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moviekinks.blogspot.com |
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