#196
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Lindsey staying in Fleetwood Mac without Stevie? Not bloody likely! |
#197
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"There are avenues I’m investigating to bring it into the future while respecting the past, everything from film projects to a line of accessories and furniture for the home"
God help us....... |
#198
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i know . Mick is definitely no Priscilla Presley when it comes to legacy augmenting avenues or business skills.
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#199
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Sadly though you can be gorgeous and female and sell a lot of albums based on that fact alone.
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[SIGPIC][/SIGPIC]
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#200
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After reading the Playboy article I think a couple of things are clear. There's not going to be a new FM album anytime soon because Mick needs cash for his divorce settlement.
Stevie's willing to go out on tour at less than her standard rate to do an abbreviated set and less stressful tour schedule than she has with FM. That says a lot. Mick might be right. FM may be done (again). |
#201
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You made a very valid point!
__________________
Life passes before me like an unknown circumstance |
#202
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If they start writing for Taylor Swift, that would be their best shot to appealing to a widespread audience. Michele |
#203
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Exactly.
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#204
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#205
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I’m sorry, but the “poor Stevie” routine gets old. She sh*ts all over Lindsey to the press for being an a$$hole during SYW, and then she loves him during IYD, and that’s okay. She talks about how Fleetwood Mac would scare her and was mean to her, and then she says Mick’s her best friend, and that’s okay. Mick says that Stevie’s pulling out of a lucrative tour was frustrating for him, and HE'S the a$$hole drama queen? Whatabuncha hypocritical bull*****. Quote:
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It’s still not right that she’s apparently stringing them along. |
#206
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I'm sorry about his divorce, but I don't know why his professional situation is suddenly such a problem. His band members have had solo careers for over 30 years, and this hiatus has just not been that long. As some have said, he could carry on the Mac without Stevie (and the threat of doing so might get her back pretty quickly) or he can bide his time with side projects until the time is right for everyone. If you're going to call your associates wanting them to help make you a few million, you have to expect to do it on their timetables. And I'll make one more push for a new album. If Mick was interested in recording, and not just the cash cow of touring, they could get in the studio now and have Stevie join them in her down time and still have the album out by this time next year (followed by a lucrative tour). They have been doing it that way for every album starting with Mirage. |
#207
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I say Mick go to England and try to do something with Christine. She has retired, but if someone came to her and was willing to work with her in her own space, I think she could probably be encouraged to lay down a few tracks. When you said "the threat of doing something might get her back pretty quickly" it occurred to me that nothing Mick could do would lure Stevie back faster than a one-off corroboration with the erstwhile bandmate. Michele |
#208
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#209
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He needs the money because he's facing a cash payout as part of his divorce settlement (I'm speculating). All of the little side projects aren't going to add up to the 10 mil he'd get from the FM tour.
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#210
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I don't know how all four members working on an album "from the ground up" would solve the problems Stevie had with the last album. She apparently didn't like the way some of her songs turned out. Does that mean she wanted those songs to be a lot more like the demos she shipped from the road? Did she make her beefs known during the recording she was there for?
Maybe it was all just an argument over the inclusion of "Come," or a problem she had with the running order. What does it even mean to work on an album from the ground up? That you write all your songs in the studio? The two writers could try that--maybe even try writing a song together--but I don't see how doing that would prevent the problems they had with Say You Will. If they have a prickly, unpleasant time working in the same room, doing the album from the ground up could even exacerbate that problem. Musically, is there any advantage to be gained by writing & recording from the ground up? No, not when one of the members is influencing the final sound of the album fifty times as much as the other three members. That guy will still make his songs sound "out there" in comparison with the other songs. Actually, the one musical advantage to the from the ground up method is that the tracks won't sound as if they were timestamped over the course of six or seven years. That was my main problem with Say You Will: I could literally hear four different major recording sessions spread out over six years. It sounded like a bootlegger had grabbed a bunch of unreleased stuff from the vaults, and thrown it onto a single CD-R regardless of what year it was recorded.
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moviekinks.blogspot.com |
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