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#166
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Yes, and make sure they get to repeat whatever they're singing numerous times so we can fully appreciate their vocal stylings! What could be a more emotionally powerful way to end a love song than with an extended cutesy pre-teen sing-a-long?
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#167
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[KER-PLUNK.] "I am a soldier's angel; through the [KER-PLUNK] eyes of a soldier, through the [KER-PLUNK] eyes of a soldier, [KER-PLUNK] I am a soldier's mother." [KER-PLUNK]. As much as I love SnL working together closely, this just doesn't do it for me. Last edited by sodascouts; 08-02-2012 at 02:13 PM.. |
#168
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Love it. It's brilliant.
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#169
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There's no two-note KER-PLUNKs in Taps. Its melody stands on its own. Stevie's song would have sounded better - even more "raw" - with no guitar part than with that instrusively clunky, boring one. Of course, that's just my opinion, and I imagine a rather unpopular one at that!
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#170
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#171
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I like the brutality of the guitar, the roughness of the vocals. It's supposed to make you go . And I definitely think it was intentional.
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#172
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Oh no please!! Let the kids just for the Smurfs jingles!!
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#173
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I think Soldiers Angel is supposed to be Brechtian.
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
#174
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Have you heard LB's Family Man?
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#175
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I always thought that was quite effective and Soldier's Angel reminds me of that. The sound SnL achieve is not supposed to be smooth or pleasant. Michele |
#176
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Well, at least that wasn't a real bird on Peacekeeper. Michele |
#177
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#178
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#179
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Yes, and like many Eurythmics songs from around the same period are products of their time and can be appreciated knowing what musical climate they came from. Some are more timeless than others. But Lindsey moved on, and currently makes relevant music. Dave Stewart, I would argue, hasn't really had it together musically in a long time.
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#180
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That would have been a wonderful cover!
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