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Beyond Lindsey's long shadow, I don't think it helped coming aboard in the wake of Tango of all things. Wonder if they knew or fully appreciated what they were getting into, especially Rick? As for stepping up, I'm curious what your opinion is of Behind The Mask, and more importantly, their specific contributions. Sad to say, but by that point the Mac had largely lost me, so I may not be the best judge. Their careers should definitely NOT be judged by their time in Fleetwood Mac. True. Fortunately both are held in the highest regards in music circles, even if they were somewhat lost in the shuffle during their tenures with the band. Membership in FM is still a good citation to have on your "resume" though, even if it comes late (Dave Mason notwithstanding?). |
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Rick Vito from Philadelphia (Phillies WS champs!), saw FM with Peter Green in late '68 in their one time stop for two nights at the Electric Factory. Vito was worthy of the throne when he was hired after LB's leave. (he is around Kirwan's age BTW) Billy Burnette's addition was a little weird to me at the time. Unless Mick wanted to bring back the Green/Spencer or Kirwan vibe, yet Burnette didn't take??? You don't need two guitarists to replace Buckingham. Who knows what was going on, at this point the band was in pop oblivion. |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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Unfortunately FM as a collective wasn't really looking to start fresh or anew, but instead continue with the same successful (aka "commercially safe") formula. Silly me, having hopes that this promising new tandem might create a marked shift in the direction of the past (appropriately modernized), by bringing the multi axe attack once again to the fore. After all, what did they stand to lose after Tango? But after giving Behind The Mask a run-through early on, I could see this wasn't the case, and never really fleshed it out further. Perhaps I didn't give it its full due, but that project - with all its hope - didn't exactly leap out at me (not fully its fault either, nothing FM was grabbing my attention by that point). Fact was, I was disappointed with what >> could have been <<. Who knows what was going on, at this point the band was in pop oblivion. Sad to say, that was (is) my general take too. Not solely from the BTM release mind you, but as a continuance of things going back as far as Tusk really. Spottier hit and miss productions, with an ever widening plunge toward pop goes the weasel. Tusk would have been a tighter production if it had been condensed to a single album imo, even with all those little gems found on it. Would have made for a more impactful and consistent follow-up to FM '75 and Rumours that way. As great a guitarist as Lindsey is, at times I think he could have broadened the FM sound more by bringing in a second gun for accents and additional counterpoint, especially as time went on. But if commercial sales are any gauge, that was far from needed -- plus he IS a magnificent axemeister as a solo hand, that's a given. Could it be a case of Stevie overload at that point? Or just SOS POP FM in general? Alas, I'm such a dinasour from the days of yore that I still long for that special instrumental offering(s) we used to get with nearly every FM project of the past. As noted earlier, not -ONE- since Buckingham took the helm AFAIK! Yikes. Quote:
Billy was an obvious choice because he knew the others pretty well. Maybe because he was also more malleable, you know, more of a no make waves team player? What we needed was a Forgetaboutit Stevie! Pipe down Christy! STFU Mick! in your face change of direction at that point. Not more of this "Will you have some crumpets with your tea, Stevie? Oh, and how 'bout you Mick? Christy, my love?" Pfffft. Ha ha ha yeah, and pink elephants will fly. TAKE BACK THE MAC! That's what we fossils from the past were shouting. [blush] Actually, Billy was going to be on the Tango tour even if Lindsey had stayed. Where did you hear that? Lindsey to spearhead a dual axe attack? Proof or FAIL. Last edited by snoot; 12-21-2008 at 12:05 AM.. |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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Michele |
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Hurts so good to know you know? Of course, it would only have mattered if Lucky Lindsey let the second fiddle have a bit of the spotlight, enough free reign to count in the affair. If so, that would have been a BLAST to see! Leaving us to ask but again, WHY OH WHY NOT? |
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About ten years ago, a very handsome man, now prone to indie rock, asked Billy out-right about it... "I vaguely recall reading somewhere that even if Lindsey hadn't left in 1987, you were probably going to be asked to at least be a backing guitarist/vocalist on the 1987 tour. Is that true?" (Handsome Steve MacDougall, Columbus, Ohio, USA) CHECK Yes, that is what Mick talked about. MATE Nothing worse than getting it directly from the source(s) -- pwnd x2! SO there it is! DISAPPOINTED BUT AGAIN! LINDSEY, HOW COULD YOUUUU!! ARGGH Last edited by snoot; 12-21-2008 at 09:45 PM.. |
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