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#1
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however i ran across this one http://www.youtube.com/watch?v=oBSnw...eature=related which is claimed to be 'homework' 1968 live in france. it's definitely homework and definitely live. also a fragment of pete in orkney with the the bb allstars doing black magic woman. its ragged... http://www.youtube.com/watch?v=V3Jd_88BCNY solos are traded, pete plays the first quietly in a typical low key splinter group approach, then there is louder solo by unidentified. then wait for the 3rd, the break right before pete starts singing again, near the end of the clip, a very close take on the original release solo, played in a different tone. that's pete playing that, right? zero |
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#2
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http://www.youtube.com/watch?v=78yGkkufpq8 http://www.youtube.com/watch?v=UpxUlxUwB2k Last edited by sharksfan2000; 01-31-2008 at 10:20 PM.. |
#3
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i hadn't seen either of these. thanks for the links and the background. i notice from the pr forum that you grew up in the bay area. so you really are a sharks fan. zero - 10 in 68 |
#4
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I am, but they keep disappointing me year after year!
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#5
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What a pity
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Ms Moose |
#6
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Black Magic Woman solo
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Ms Moose |
#7
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it is a loose take, and his voice doesn't sound strong or clear, so i can understand why some of the youtube comments on the clip are to the effect that 'he's lost it.' but when i listen to him play i hear someone capable of, well, tossing off the original solo from black magic woman if he happens to be in the mood. that he's not playing an out of phase les paul, at less than half the volume and has altered the phrasing makes it seem subdued and less powerful, but i don't know that it is exactly that. i've heard a lot of splinter group renditions of black magic woman and nigel always played the solo. every time the thought creeps in, well maybe he really can't do it anymore. of course a song or two later pete would do something like play 'the stumble' or 'the supernatural' better than his mayall versions and i'd wiseup. so, even though this is a shambling pick-up band performance of black magic woman, i kind of think that he hasn't lost it at all. zero |
#8
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The enigma of mr. Green's playing
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Peter Green is an enigma in many ways, and I think that his playing is a lot about mood, and I think it always has been. It used to sound more mercurial and driven (this is what I mean by powerful) - but his mood - or moodswings are different now (of course - he is not 23 anymore!). Actually I think the same thing has happened to a lot of the so called guitar-heroes - they just got noicy, boring and repetetive - which he never did. "The tone" is still there (or was - as nobody has heard him play for four years). I only saw Splintergroup once in september 2002, and I felt exactly the same way: "he has lost it...oh, no he hasn't". His version of The Stumble on You tube (clip from The Splintergoup DVD) is brilliant - and it's gets better with every listen. And how brilliant it is becomes very clear when you compare it to Gary Moore and Mick Taylor's versions. They are very energetic....and boring (I hope I don't offend anyone by writing this). Ms Moose |
#9
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the tone is the thing
you did not offend me,
every time i listen to peter's old stuff , I think " Why isn't he singing and playing like that now" Yet every time I listen to him doing dangerous man, or real world I think that he has just wonderful timing that you can't learn . He has matured and grown in ways we will never know. Too many artists work too hard in sounding "brilliant" and "snazzy". Peter knows what it is to "sell" a song and as such is a song interpreter. This is not any different than how they used to sayabout his playing "saying more with less" This is a great lesson from BB King it could just as well have been from Frank Sinatra or Bobby Darrin doodyhead |
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