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#46
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#47
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#48
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If I daydream and redo Time to focus on a Billy, Rick, and Bekka lineup (incorporating some solo songs from Billy/Rick and a few Christine contributions for posterity), maybe something like this: Talking to My Heart Desiree Winds of Change I Do Walk Another Mile Believe What You Say Nothing Without You Sooner or Later Intuition I Got It in for You Dreaming the Dream All Over Again |
#49
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In 1976 the band was experiencing a huge wave of creative and commercial success. It's well documented that the chemistry they had was worth preserving despite the infighting. They had a future ahead of them. By the time the of the Time, Fleetwood Mac's stature was in flux. Now they were old school. Two of the prominent members were gone, and the third one (Christine) was barely holding on. The market/music scene, as well as their image had changed drastically. They're performing in amusement parks, with two other somewhat has-been bands. They hardly had the chemistry or constitution to withstand the tensions between them. It's not hard to understand why this configuration had a short shelve life. It hindsight, Christine's tentative presence was precursor In circumspect, it was Mick's attempt to persevere; to keep Fleetwood Mac alive. It was another link in the chain; a place holder of sorts, which allowed the next chapter of the the band to unfold: The Dance.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 12-24-2014 at 02:42 AM.. |
#50
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I'm not familiar with Believe What You Say. Is that a Rick song?
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Life passes before me like an unknown circumstance |
#51
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![]() This is a video I shared on my Facebook page. I think it takes on a special meaning during the festive season.
If I live to see a world free of war, terror, hatred, selfishness and greed; then I will know that I can die happy. |
#52
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The other early-90s scenario in my head is a Billy-less Behind the Mask, had they decided to keep the Rumours-era model of three singers/one guitarist (in this case, Rick given his lead guitarist role). Rick clearly worked well with Stevie, and I'd have been curious to hear what he and Christine would have come up with, given their grounding in the blues. I'll have to give that playlist some thought... |
#53
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![]() Billy quit in February, 1993. My new "What If" is what if Christine told Mick to wait nine months before adding any new blood. By then, Lindsey's solo tour would have been over. Based on some of the things he's said, Lindsey seemed pretty dejected about the experience. In truth, he worked his ass off trying to sell his masterpiece to no avail, and probably lost a lot of money on the tour. Worst still was that he wasn't able to really establish himself as a viable entity outside of Fleetwood Mac. The liberating feeling of being free from the band seemed to give way to the reality of being responsible for every detail of the live show.
I think if they had played their cards right, they could have gotten Lindsey back in late 1993. Christine would have had to be the on to initiate contact with him and they would have had to have a clearing of the air moment, but I think that could have happened, and they could have made an album as a quartet. And, Lindsey would have had enough material to front the live shows by himself .
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#54
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![]() Well put. That's exactly the way I'd put it, if I were as articulate as you are, Mike! I saw two shows at Clear Lake in California, one in 1994 and one in 1995. They were the most un-Brechtian Fleetwood Mac concerts I've ever seen. There wasn't even a glimmer of sparkle or theater in the performances. It was like watching a bunch of good musicians rehearse on a Saturday afternoon while their mates were grilling burgers out back. No glamour at all, no elation at hearing the classics being performed, and the tiny sense of sexual joy came from Bekka, but even that sexuality had no higher emotional feel—you watched Bekka and thought she was hot, but you didn't fall in love with her. Since 1967, people had been falling in love with one or more members of Fleetwood Mac at their concerts. But that identification was totally absent.
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moviekinks.blogspot.com |
#55
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![]() I always wondered what the deal was with Time? I though Christine had said that she was still willing to record new music but not tour. Then they did an album without her and it got rejected and then Chris returned to record Time with the new lineup. Why didn't she want to contribute to the initial recording sessions?
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#56
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![]() She was always, at least publicly, involved with the project. There were pictures of her playing with Bekka and Dave prior to Billy's return, and there's the one full band picture. In every interview they gave, she was still mentioned as being the Brian Wilson of Fleetwood Mac. The only songs that she's definitely not on are the ones where Steve Thoma is listed as keyboards, as opposed to additional keyboards.
Maybe she started the project with the band but decided to pull out midway through, maybe around the same time Richard Dashut left the project, but was forced back into it for contractual reasons. I have no idea because there's photographic evidence she was there from the start, was always mentioned in interviews, and I've never seen anything to suggest that she wasn't involved. ![]() ![]() ![]()
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 12-30-2014 at 12:21 PM.. |
#57
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![]() I thought though there was a CD "Another Link In The Chain" that got rejected by WB because none of the Rumors era Singers was on it and somehow she was convinced to return to the band and record with this lineup even though she did not tour.
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#58
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![]() I love Christine McVie and her music. She is a class act...the same cannot be said for her soul sister Stevie Nicks, I'm afraid. While Stevie is an equally talented singer-songwriter, she is not an accomplished musician - she can compose glorious melodies but cannot sustain a full concert with herself on piano and voice, like Christine can and did in 1984 for her second solo album.
Anyway, the album Time is horrendously under-rated simply because it does not feature Buckingham Nicks. It was funny to read Christine's comments that Say You Will sounded to her like a Buckingham Nicks album with a great Fleetwood Mac rhythm section! Maybe she felt like she had missed out? She sounds great on Bleed to Love Her and Steal Your Heart Away, which were recorded I 1995, sans Stevie Nicks, I believe. My favourite Fleetwood Mac album is Say You Will, despite the commentary here that says it is sub par. Back to Time, I absolutely adore Winds of Change and These Strange Times is a welcome departure from the safe ground Fleetwood Mac had been treading musically since 1982's Mirage album. |
#59
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Christine was spot on with her assessment of Say You Will being like a Buckingham Nicks album. While stating the obvious, I don't think she said it with any regret that she wasn't involved with it -- it wouldn't sound Buckingham Nicks-like if she was still in the band.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 12-31-2014 at 03:26 AM.. |
#60
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P.S. Do Mick and John play the bass and drums on "Big Love" from Tango? And does Christine play on it? |
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