#1
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Fleetwood Mac - Sara
Damn, this a masterpiece! Remember when it was this good?! |
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#2
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Yes, Stevie at the height of her FM greatness! I love this version and the one on the 1980 live album!
Seems like she was creating a visual character around this song - the red cloak, her hair up in a pompadour. When 'Sara' was finally brought back into the FM set in the new millennium, she dressed up in the same way at some shows, but it just didn't work. The red cloak made her look big, and her piled-up straightened hair didn't look like it did back then. 'Sara' on the 2008 'The Soundstage Sessions' version is just awful. Her voice is flat and with no nuances. |
#3
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Quote:
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"...every time, you don't come..." "my little demon..." oh dear... Last edited by mitzo; 11-30-2019 at 12:18 PM.. Reason: typo |
#4
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I always thought Stevie looks wasted in this video. I know they were all wasted during this time but her eyes are so glassy. IMHO not many flattery pictures of the band during this era but I always thought Stevie looked horrible in this video.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#5
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Just love:
- Lindsey's guitar finger-picking throughout the song. More obvious on the 1980 Live album (some overdubbing in the studio afterwards?) - Stevie's "All I ever wanted was to knowwwwwwwwwwwwww..." at the end |
#6
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I'm almost positive that MOST of the "1980 Live" guitar is overdubs.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#7
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and most of the vocals.
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#8
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I love this video. I love Stevie's look, boots, vocals, and facial expressions. I can't stand the way she sings Sara nowadays. But, her range is so small it is what it is.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#9
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This song peaked from a live perspective on the Tusk Tour. Some of those performances are just magical to listen to. The Live album of course, and Tusk Deluxe...but some of the bootlegs too. Melbourne and Japan (can't remember what city) were always amazing to me.
It lost something on the Mirage Tour (tempo seemed a bit faster, her vocal nuances were just blah as compared to Tusk), seemed okay from the few versions I have heard from 1988, and then has just been perfunctory since it got reintroduced in 2004. I would have loved to have heard it on The Dance tour, with Christine actually playing along and Stevie still able to potentially nail the vocal. |
#10
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I agree Sara peaked on the Tusk tour and should have retired after that but because it was a “Hit” it came back. Sara and Gypsy are two songs and “Hits” that never really translated we’ll live. Sara did for the Tusk tour but Gypsy didn’t even work for the Mirage tour. Studio magic by master Buckingham.
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#11
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Quote:
Even on the Mirage tour, with a 6-7 piece band. Master Buckingham made it pretty much impossible to capture live...
__________________
Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#12
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The closest they came was on The Dance. Though I’m sure studio magic post-production helped out there. The current version is dreadful. And any solo version she has done is just Waddy butchering the hell out of the song.
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#13
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Gypsy - AHA Benefit 2000
Quote:
https://youtu.be/m5HeRgOVOMw Last edited by lbfan; 12-03-2019 at 09:06 PM.. Reason: Added link to video |
#14
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Quote:
She certainly has the ability to play a chord and cover one of the layers with her right hand. I think they either were trumped by LB, or just lazy on her part.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#15
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I suspect the latter. And that's all she plays now.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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