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#16
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#17
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He also was a producer [and co-writer] of “Boys of Summer”. I find Don Henley super annoying but that song kills. Great guitar also.
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#18
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Of course, that's what I meant but the Lindsey Ledgers will find a way to hate on anyone who doesn't speak their gospel. Truth isn't a big deal in their world.
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#19
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#20
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#21
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#22
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#23
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You know, people are funny. I think they expect well paid talent to talk up something they have millions invested in, not down.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#24
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No! Some people are ****ing GREEDY and SELFISH!! **** these money whores!
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#25
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They’re the same pigs £ind$€¥ has rolled in the mud with since Mick got fired as manager.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#26
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I love this article. Life is so strange. You neer know where you're going to end up. This jumped out at me:
The afternoon after the emotional interview at his house, Campbell is at an enormous soundstage at Sony Pictures Studios in Culver City, California. This is where the tornado sequence for The Wizard of Oz was filmed in 1939; it’s also where the guitarist will be reporting for work over the next eight weeks of intense rehearsals with Fleetwood Mac. Campbell, dressed casually with an oversize scarf-tie that wouldn’t be out of place on a pirate ship, sits on a couch in the back while technicians scurry about and set up the full-size arena stage with instruments. Stevie must have been in her happiest of places knowing she was occupying the space where the original good witch first came to life. |
#27
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Best Mike Campbell co write ever:
https://youtu.be/mxcvObkSi38 |
#28
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Exactly. And who knows he might even know Neil. I welcome the knowledge by a non negative person.
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#29
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In 1982 do you remember when Lindsey told David Gans, the Bay Area rock writer, that the forthcoming US Festival was a great paycheck but an otherwise dull rock show? Or when Lindsey told the press the entire year of 1978 that Rumours (which was still selling big) wasn't as great as its sales promised? (How do you imagine that sat with Warner Brothers?) Or that Mirage was a reactionary work (artistically speaking, not politically)? You keep hammering home this weird point that his troubles this year resulted from something he said which allegedly upset a promoter. Really, now. Expecting Lindsey to keep quiet about the crassness of Fleetwood Mac's corporate side would be like expecting Johnny Rotten to honor the queen of England.
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moviekinks.blogspot.com |
#30
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True. But there is an old adage about a straw that broke the camel's back. |
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