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#121
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I like the "Silver Girl" demo marginally better than what ended up on SYW, but the song wasn't good to begin with. "She was a silver girl, lost in a high tech world..." As far as the rest of the production on SYW, I didn't care for what he did on "Illume." However, I'm in the minority and love the finished product of "Smile At You." She could never achieve vocally what we all know and love from the old demos, so I thought Lindsey did a nice job with it. I agree with you regarding "Destiny Rules." I heard it on the XM channel, and his production was stellar. |
#122
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#123
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He's probably referring, at least in part, to Christine. We don't know for sure what he meant when he said that. I do agree that she is probably the one that he has the least animosity towards since they seemed to be on the same page. That's why we got BuckVie. Quote:
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Well if I was Lindsey I'd take the money too! But he was the one who wanted more for FM. Not just to be some touring cash cow operating machine. Is it his fault that Stevie didn't want to record new music with the band? Sometimes you have to be a little politically correct to try to preserve what you feel you have left in the band. Maybe hoping for different outcomes in the future? Last edited by jwd; 05-16-2018 at 07:26 PM.. Reason: cleaning up post |
#124
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#125
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Simple solution. Hire other producers? At least for her songs. |
#126
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he did, remember? Mitchell Froom.
wouldn't it be a complete irony (and another FU to Lindsey! something they specialize in these days) if Fakewood end up recording and get Froom as producer? btw Campbell groups call the band now Finnwood Mike.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#127
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This is better than Crowded Mac and the Heartbreakers. LOL |
#128
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I vaguely remember different people coming in to mix, but I wasn't sure about producers. So what does Stevie have to bitch about?! Finnwood Mike, that is hilarious! |
#129
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Crowded House of Cards
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#130
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Could be age, but then did her voice just drop out one day? It's still just weird to me.
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#131
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BUT, now that Tom has died, she said she's going to "stop complaining"....oh, wait, she already blew that by complaining about Lindsey, but he got fired because of it so she should be dancing every day
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#132
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It makes complete sense to me that over the course of 12 years an already 'older' person's voice is going to change...
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#133
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Regardless, Fleetwood Mac was largely on life support after 2004, and became little more than an oldies act. I’d much rather have had a new band like Buckingham Fleetwood McVie creating new, viable music than reanimating the bloated corpse that Fleetwood Mac had become every few years. When the most exciting to happen to a band is the return of someone that made it possible to hear different old songs, and effectively giving us a proper tour for TITN, it’s hard for me to be overly sentimental for that period. Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#134
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I agree. The following is from the thread "Stevie as scapegoat" in the Stevie Nicks forum with a nice recap from Murrow and my response.
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There are also those who are very disappointed with Christine as I am but I'm certain that in an earlier era Christine would have been much more outspoken. The thing is she's now pushing 75 and age sadly does take its toll.
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#135
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I agree with everything Murrow said, which is why I was mad last year. What’s happening now is hardly a surprise, except that they got amazing talent this time around.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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