#151
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Not to mention Pachelbel's Canon...
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#152
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Yes, but Pachelbel's Canon is not rhythmically the same as those songs; "Eyes of the World" and "Stephanie" not only match in the chords but in the rhythm. The similarity is striking, IMHO.
Last edited by sodascouts; 03-28-2018 at 06:18 PM.. |
#153
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Quote:
I put on Pachelbel's Canon in D and sang LB/CM parts to it. Works like Christine Perfect...
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#154
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Sitting on the couch tonight with a glass of wine listening to the bluray audio. Lindsey's amazing vocal on Crystal, so pure, almost bringing me to tears. Stevie's tender Landslide doing the same. I have a new appreciation for the intricacies of Sugar Daddy.
This group was magic. There will never be any other like them. And they threw it all away! |
#155
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It’s not like they had much “it” left anymore. None of them have great voices left, they need practically another band to do a show, and they’re relying heavily on “prerecords.” They are a far cry from who they were.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#156
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Go ahead and try to build up what's coming by minimizing what's been destroyed. The truth is that whatever greatness Fleetwood Mac had is now gone.
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#157
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Quote:
The Rumours band was magic, but Fleetwood Mac has mostly felt like either a Vegas lounge act or a cover band for every tour since 1987, regardless of who was in the band. If they could have just gone out as a quintet, no backing musicians, backing vocalists, or prerecords, I might share that same sense of loss.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#158
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Quote:
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#159
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It never felt like a "lounge act" to me. To me, A Fleetwood Mac show felt like a thrilling, wonderful, unforgettable experience.
Last edited by sodascouts; 06-23-2018 at 11:27 PM.. |
#160
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To each their own. I never felt it was “magic” with the extra musicians, and I don’t think they needed them. They say it’s to fill out the sound, but it really leaves the shows void of personality, character, or raw energy, and age has nothing to do with it. Willie and Dylan still do it.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#161
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Christine plays her shuffle the same on all her shuffle songs: Get Like, Don't Stop, Stop Messing. Onstage, it gives those songs a similar atmosphere. Her piano shuffle is a replication of the style of Sonny Thompson, who cowrote with Freddie King. Chris was listening to King a lot in the old days.
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moviekinks.blogspot.com |
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