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#1
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![]() I sent this song via e-mail to a friend who loves late 60's blues guitar. As one who plays the drums, I don't have the technical knowledge of a guitarist, so I need to ask:
My friend thinks that "Rollin' Man" at the Shrine is done via the wah pedal. He thinks the "'Clapton woman tone" early in the song is a wah in one position, and the later tone is the wah in the opposite. I thought it was the bridge pup on, and then both pups of equal volume out of phase. So to answer, was Green using a wah pedal in 1/69 just for effect control??? I think my friend's head would explode if he realized it was just a Gibson Les Paul with a reverb box into an first gen. Orange amp. I need an answer before the end of next week. ![]() Last edited by slipkid; 12-19-2008 at 01:41 AM.. |
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#2
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![]() Quote:
Anybody (dis)agree? ![]() |
#3
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![]() I mean the neck p.u. here at the end.
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#4
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![]() Quote:
Thanks Wouter, that's what I thought. My friend remembers the Clapton interview while in Cream about how one can achieve so many tones with a humbucker SG (Les Paul at the time) while incorporating a wah pedal. I don't think Green started using a wah until late '69/early '70 with Rattlesnake Shake, then later for Green Manalishi?? So it's the neck pup that provides more of a bass tone? |
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