Quote:
Originally Posted by HomerMcvie
Yeah, but the frog in her throat on the Tusk doc is now an army of frogs. Why? I don't wanna know.
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But that’s the thing. She can still sound great in a studio setting with as many takes as she needs, and with the help of whatever gadgetry aids her. I’m not a fan of using machines to smooth out vocals (or faces for that matter) but in Christine’s case the process works wonders. Her voice on BuckVie sounded warm and sweet. Like the Christine of yore.