Quote:
Originally Posted by TrueFaith77
I thought it was a terrible film, and am disturbed by its popularity.
On Facebook, a friend's mother asked me if I disliked it because it demonstrates "class differences" (considering how well she knows me, the question is bewildering -- I saw NASHVILLE with her in theaters!)
The answer to that charge is clear: the movie portrays the struggling classes as cretinous and the rich as vaguely suffering from mental challenges. In other words, it's phony.
A stranger on Twitter said the movie has the best editing, cinematography, and screenplay of the year! Oscar-speak. sigh. I responded that the editing failed to raise suspense (e.g., the coffee table sequence) or clarity (e.g., who killed whom at the end, and why?). The cinematography, I believe translates as "I want that house!" The screenplay? I think it's "OMG, there's a guy in the basement!"
Hateful film. And no fun. And I'm easy.
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I didn't think it was phony. I thought it was a dark comedy on a, "what if this happened". I will say when the "protagonists" kept getting everything they wanted, I thought, "Oh crap, I'm going to hate this downfall." I didn't. What I loved about it was the fact that the down-slide wasn't typical. I thought the author had quite the sense of humor.
I tend not to politicize things, so I don't have a point of view of: This is too liberal or conservative. Or, it mocks a certain group/class.
As far as phony, I work for a lot of rich people and some of them act exactly like that. Especially, with their children.