Quote:
Originally Posted by SteveMacD
Similarly, Lindsey’s solos don’t leave a lot of room for players to change things up. They’re bone simple, but also iconic. I mean, where do you go with “Hold Me” or “You Make Loving Fun,” for example?
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Lindsey himself is the Mac guitarist who demolished and rebuilt his signature studio solos the most, by far. By the time the band had been touring Tusk for a few months, the studio solos had all but disappeared, distorted into the most bizarre sound shapes imaginable. Listen to the way he dragged his guitar parts over broken glass, whether out of creative fire or boredom or both. No other guitarist ever attacked those songs with such ferocity or individuality.
https://youtu.be/6H_A8PCOOPE?t=117
That's the irony of all the moaning and groaning about "sameness" with him in the band. A set list is just a set list. But an inspired musician can take any song and rekindle the fire, if he's up to it. How do you think we can stand listening to yet another recording of perhaps 400 recordings of the
Appassionata? We don't always need a new dish. Sometimes we're in the mood for an old dish cooked in a new way.
In song after song on tour, once he loosened up, he deveined and butterflied his solos like shrimp, dunking the entire song in drawn butter. Very tasty - but it did not always go over well with some of the audience who expected to hear the rich smoothness of the albums. Who cares about them, in the long run?