[CADreaming]

Originally Posted by michelej1

Well, the court's website doesn't say. Actually, it still says "pending" but that is not accurate. We have what they call "fast track," a delay reduction program. No dissolution proceeding would be allowed to pend for 13 years. Even if there were unresolved property or custody issues, the dissolution would either be granted or the case would be dismissed. It wouldn't just keep "pending." Anyway, that information was never updated, so I don't know when it was final.

Michele

Oh, ok. Well, that's weird...and curious.

Originally Posted by LukeA

He's a friend/colleague of a friend/colleague. The source is impeccable. I briefly met him (Gary) in Fall '02, but we didn't talk about anything of substance.

I'd put most of the responsibility (blame) on David Kahne. Simply put, he had no idea what to do with Fleetwood Mac, Lindsey Buckingham, or even Stevie Nicks (as evidenced by how he handled TISL. but, that's for a whole other thread)- and was mortified at the thought of releasing GOS (as it stood in 1998) as-is. I think a lot of it had to do with the then-recent merger between AOL-Time Warner, and Kahne (commercial hitmaker/producer extraordinaire) entirely focused on the bottom line. Kahne was merely the interim acting President, so he logically had a vested interest in keeping (perceived) vanity projects by legacy/catalogue artists in line (Stevie applies here too).

Keep in mind, Kahne and Briggs are the two dunderheaded idiots who blundered the whole Wilco/Yankee Hotel Foxtrot fiasco (which went on at the exact same time as the drawn out GOS negotiations, not too coincidentally). Briggs famously offered his mea culpa in numerous print interviews (and the Greg Kot authored Wilco book, which he's heavily featured in, if anyone's interested), but he was complicit.

Hell, even when they gave Lindsey the green light to release GOS in early summer of '01 strategically on the heels of TISL (after he wrote the commercial "Peacekeeper" as a new lead single), they wanted Lindsey to make the concession of having Mick be prominently involved in the promotional aspect. They even went as far as having a Fall '01 tour all lined up- 1500-2000 seat venues for "An evening with Lindsey & Mick"- and Lindsey ultimately bailed, acknowledging the inevitable FM activity in '02, making the tour/album redundant.

That aside- did Briggs intentionally try to sabotage the release of GOS? I tend to doubt it. But there was no love lost between the two. Briggs worked VERY closely with Lindsey in the mid 90's. I'm sure if you're trying to get an album out, and you just "stole" the wife of your label's VP of Artist Development/Promotion, you're bound to get some pushback from the label on some level. Reprise was already wary of a solo album of Lindsey's, and they weren't going to make it easy for him even in the best case scenario.

From everything I've heard, Briggs is a great guy- one of the good guys in the music industry (he's still around). If you want to blame anyone, blame the asshat Kahne.

Thanks for all the info Luke. Very interesting. The AOL/Warner merger didn't happen until January 2001 officially. The timeline is curious to me...TISL was released in May of 2001 and by her summer tour Stevie was already making announcements that LB and Mick had rented the house to record SYW in and that they were working on her songs. If LB is done with GOS in '96 and then it's left to hang for The Dance in '97 - how/why is he then allowed to release the supposed frowned upon UTS in '06? Why does he not release GOS as his first post-Mac tour solo project?