TOSOTM to me is meh. Trying too hard to be mysterious, with more lyrical messes than ever, like in Two Kinds of Love and Ghosts. The real issue I have is that it lacks a deep ballad. My experience with her solo work has been to search for that delicious ballad with its great vocal, then work backwards to try to appreciate some of the other tracks. As for TITN, it brought me back to FM and Stevie after some years of wandering away, triggered by Bella Donna, which I still think was badly conceived and grotesquely produced. In 1987 Seven Wonders was all over the radio and it brought me back.
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