Quote:
Originally Posted by jbrownsjr
Gold turd.
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I like about 1/2 of SYW. It definitely has some substance, though it lacks an acceptable narrative arc. The songs are just strung together without much thought to sequence. (By comparison, TUSK’s seeming randomness feels intentional—and effective.)
At the time, some critics panned Christine’s ITM by comparing it less favorably to SYW. 20 years later, Christine’s tuneful solo record holds up WAY better. There is a sense of progression in the sequence and a story threading through those songs. Plus, it sounds more like FM than FM did without her. In short, Christine was the central ingredient in FM.