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Originally Posted by David
ROFL!!! That's one of your favorite songs on that album, isn't it? I forgot!
I suppose I could sum up my views thus, Chili: The track has orchestral strengths, undoubtedly. It's just that the textuality presupposes a certain static yet pre-lingual obsession with naive sexual guilt & hegemonic discrimination. It turns in on itself in an endless dismantling of its craving for origins: truth & presence. But outside this metaphysics of presence, the song seems too encased in its receding aporia, & I can't help thinking that Lindsey is fixated on the epoch of the full speech, suspended from the metal strings of his Turner Model 1 between a free reflection on the origin of writing-qua-writing & the subsuming of that fixated transcendence.
So, as you can see, I really had to vote it out.
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Would it change your mind if I told you he didn't PLAY his M1 on "Loving Cup"? 
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia
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