03-17-2006, 09:14 PM
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Moderator
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Join Date: Jun 2000
Location: Los Angeles
Posts: 16,522
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Quote:
Originally Posted by David
They all had their geeky "let's rock" faces on the whole time. It was patent & see-through, the sort of thing that drives hip rock critics like me & Greil Marcus to belly right up to the bar. It was shocking. The band was adult contemporary all of a sudden. It was at that point that I decided I may as well listen to Emanuel Feuermann. Fleetwood Mac was done flaying the skin off the Booboisie.
And then it began to occur to me: Fleetwood Mac is so silly & stupid, like Pop Rocks at a kid's birthday party at Farrell's, with the volcano surprise ice cream sundae being lit up & served to a worried youngster, who can't drive himself home because he's only 7, & his mom & dad are trying to punish him for being a year older than he was last year, so they hide the cards & checks he gets from his Aunts Sharon & Lois & finally give those to the poor, disillusioned kid three days after his birthday, after the pain has passed & has been replaced by a dull, thudding no-nonsense approach to life & the arts, whether it be a torn-up old Mary Poppins LP that's been through the ringer, yellowing with antiquity, & smelling of pasteboard & starched milk on the upper lips of pals at grade school, or of the latest hep-scat DVD from Criterion with so much crap in the way of commentary & extras on it that you can't even remember why you bought the damn thing in the first place.
Anyway, that's what Fleetwood Mac became to me.
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Good Lord give me one of those vicoden.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!"
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