Quote:
Originally Posted by mikephxaz
Lindesy's over production was in full swing on SYW...what started with the songs on Tango In The Night with his "family man" obscure, over production continued on with Say You Will where Tusk represents the BEST of Lindsey's funky, honest, earthy approach to music...(which was brilliant for Stevie's songs on Tusk) I wish he could get back to that place.
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thanks for responding to my query. you might be right... i think you might be also referring to possible production unevenness from song to song - b/c i don't find most of LB's songs on SYW to be overproduced (except Say Goodbye, but other than the great guitar parts that one is even worse schmaltz imo as a slowed down live version). i can't say too much about SN's SYW songs b/c i so dislike most of them that i hardly listen to them (while i love her Tusk songs)... however i hear many SN fans having gripes with arrangements and production on them, usually listing Smile At You as an example (i can see why - i think the original angry version is rocking but don't care at all for the version on SYW - whether it's LB's production fault or somebody else's decision to go with different version).
re LB getting back to more raw production - did you hear Seeds We Sow? many people say that album is underproduced (although he did do that artificially-making-voice-higher on it too).
Quote:
Originally Posted by David
The martial horns riffing out the title song had the world tapping its feet and clapping along, but the dry-humping & pig-grunting of Not That Funny made people truly sorry not only that they had bought the album but also that a band that previously wrote such great hooks had lost it.
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i don't know, seems most people hate NTF on Tusk (but love the pot-smoking-orgasm-faking-high-pitch-screaming 10 min Mirage tour version
). when i listen to NTF on Tusk, to me it's the pinnacle of what LB was doing there - not just punk/new wave, but i hear on his Tusk songs
a lot of what became popular as world music - in singing, in accompanying instruments and sounds... you can hear a lot of folk music influences from different [mostly European i think] countries. LB used different influences, but if you think of it, using regional music influences was something that Peter Gabriel and others made huge right about that time (in the 80s i guess? may have started during late 70s, idk) but with African music influences. except using different inspiration and instruments, LB didn't work with local artists from countries he seemed to have been taking inspiration from, unlike Gabriel.
clarification: maybe "folk" is the wrong expression... what i mean by that expression in this context is endogenous music from certain regions.