12-16-2019, 08:26 AM
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Moderator
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Join Date: Jun 2000
Location: Los Angeles
Posts: 16,513
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Quote:
Originally Posted by aleuzzi
A good example of class is Keith Olsen, who is basically responsible for introducing LB and SN to Polydor and then to FM. His work on the white album was exceptional, but he wasn't asked back. From what I recall, Keith liked to prominently feature the bottom end, a point of contention between him and Lindsey once they began talks about Rumours. So, bye Keith. I've never heard him bitch about this.
For what it's worth, the prominent bottom end is what really draws me to the white album. John's creative bass lines really stand out, especially on "Blue Letter," "Rhiannon," "Over My Head," "Say Your Love Me, "Sugar Daddy, " and "World Turning."
And the drums--wow--"World Turning" and "So Afraid" are truly standouts because of Mick's work.
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Don't forget that walking bass in Crystal. Whomever decided to put the keyboard solo with that walking bass line... Genius! and then it fades like the "sea".
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 I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!"
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