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Old 06-02-2013, 11:16 PM
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Quote:
Originally Posted by Dex View Post
Rumours has Lindsey offering absolutely perfect pop songs, but that isn't really what we're discussing here. And I'm thrilled more people than expected are recognizing the sheer creativity and passion he displays on Say You Will.
absolutely!
Quote:
Originally Posted by On Ice View Post
Although Tusk is a pop masterpiece in it's own right, I think I would do his work on '75 and Rumours a great disservice by not recognizing that his work is the dictionary definition of classic rock while Tusk is more of a "cult classic". When you put on the '75 album and are immediately treated to Lindsey's voice "Monday morning you sure look fine... it showcases a previously underappreciated talent in Mr Buckingham. Same with Blue Letter "when your day goes down, I won't be waitin' around for you". World Turning, although a partially "borrowed" song from Peter Green, the sounds he got out of his guitar are nothing short of brilliant. Ending with his show stopping masterpiece, which remains to this day in I'm so Afraid, heck he even recycled it a couple of times in Tango and This is the Time.

Rumours brought him into the stratosphere talent wise. Second Hand News like Monday Morning, is one of those songs you can listen to again and again and it never grows stale. His musicianship in Never Going Back Again in its various incarnations again showcase his unmatchable talent. Go Your Own Way is Lindsey's career defining song, he has never not played it live and the temptation to turn it up really loud will never fade. Lastly, what Lindsey did with the Chain, he has never quite captured since and probably could have out of the more brilliant pieces of Stevie Nicks demos that we know exist, and the musical pieces he's written, especially in the late career trilogy of brilliant solo albums.
some great thoughts here, and i generally agree with most of them.

however, he was not nearly as prolific as a songwriter during that time, as he became later in his career. maybe he was still getting into the whole songwriting thing? (that apparently Stevie has dragged him into kicking and screaming during BN era), and he created these gems you mention, but there were only few of them. during Tusk era, he really blossomed as a songwriter. i wonder whether he considered himself mostly guitarist, singer, arranger, producer before Tusk time? and after putting together all these brilliant songs on FM and Rumours, finally figured out songwriting works well for him as an outlet, and he really is a brilliant songwriter too?

Quote:
Originally Posted by KenB View Post
Tusk is the no-brainer top choice for me. For second place, I spent a lot of time going back and forth between Rumours and Say You Will. I've loved Rumours for almost 30 years. I think it's one of the greatest albums ever recorded (and overall a much better album than Say You Will). But in the end, I decided that Rumours has three absolutely stellar songs by Lindsey (Second Hand News, Never Going Back Again and Go Your Own Way) and that's all. (I don't count The Chain as a Lindsey song.) Say You Will also has three stellar songs by Lindsey (Red Rover, Bleed to Love Her and Say Goodbye) plus some very good songs in What's The World Coming To, Peacekeeper and Steal Your Heart Away, as well as some work that took major risks (Come), which is something that Rumours, as amazing as it is, really didn't do. So I very narrowly voted for SYW over Rumours as my number two.
i like your analysis. a lot. although i would maybe count some different SYW as stellar Lindsey songs (Murrow, Red Rover, BTLH, definitely Peacekeeper lyrics... and i would add the whole GOS1 because that was really the same hugely prolific, brilliant, and out-of-boundaries songwriting period for Lindsey).

Quote:
Originally Posted by KenB View Post
Also, I forgot to mention another point in favor of SYW: Though it's not part of the "official" album sequence, there's the beautiful version of Dylan's "Love Minus Zero/No Limit" on the deluxe edition, which I adore.
i can't express how much i love his version, how beautifully he sings it, and how much he added with those so-lindsey guitar parts. <3
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