If I hadn’t gone into music, I might have been a commercial artist, but I’m not really sure. The funny thing is, I didn’t aggressively pursue a career in music; I just found myself in that situation. I guess you could say music chose me. https://t.co/BXBiDK7Nyq— Lindsey Buckingham (@LBuckingham) November 19, 2018
If I hadn’t gone into music, I might have been a commercial artist, but I’m not really sure. The funny thing is, I didn’t aggressively pursue a career in music; I just found myself in that situation. I guess you could say music chose me. https://t.co/BXBiDK7Nyq
I have occasionally used computers to add to the range of color and texture, but mainly I gravitate towards instruments. https://t.co/ka0DTM6CFu— Lindsey Buckingham (@LBuckingham) November 19, 2018
I have occasionally used computers to add to the range of color and texture, but mainly I gravitate towards instruments. https://t.co/ka0DTM6CFu
There was no particular new wave artist or album that directly influenced Tusk. But the arrival of New Wave did reenforce the mindset I already had in the post-Rumours environment, which was that norms should be questioned, risks should be taken... https://t.co/i4INmHpgG2— Lindsey Buckingham (@LBuckingham) November 19, 2018
There was no particular new wave artist or album that directly influenced Tusk. But the arrival of New Wave did reenforce the mindset I already had in the post-Rumours environment, which was that norms should be questioned, risks should be taken... https://t.co/i4INmHpgG2
and one’s musical identity should come from the bottom up, not the top down.— Lindsey Buckingham (@LBuckingham) November 19, 2018
and one’s musical identity should come from the bottom up, not the top down.
Yeah, can you keep it down, Prof? https://t.co/Qlhcswy9Ds— Lindsey Buckingham (@LBuckingham) November 19, 2018
Yeah, can you keep it down, Prof? https://t.co/Qlhcswy9Ds
When pursuing a creative process, I find you have to surrender to it & let take you where it wants to go. You can’t let concerns such as potential challenges of performing live get in the way of that process. You need work from a position of faith and take it one step at a time. https://t.co/Cm10azLtsh— Lindsey Buckingham (@LBuckingham) November 19, 2018
When pursuing a creative process, I find you have to surrender to it & let take you where it wants to go. You can’t let concerns such as potential challenges of performing live get in the way of that process. You need work from a position of faith and take it one step at a time. https://t.co/Cm10azLtsh
Street Of Dreams was inspired by the singular life one can lead by pursuing a singular vision, especially when those around you may be acting from a different value system. https://t.co/6df9j5rEd9— Lindsey Buckingham (@LBuckingham) November 19, 2018
Street Of Dreams was inspired by the singular life one can lead by pursuing a singular vision, especially when those around you may be acting from a different value system. https://t.co/6df9j5rEd9
My father, who had died some years before and hadn’t witnessed my success, was a character in the song, and in it I imagine myself talking to him about all that had happened since his passing.— Lindsey Buckingham (@LBuckingham) November 19, 2018
My father, who had died some years before and hadn’t witnessed my success, was a character in the song, and in it I imagine myself talking to him about all that had happened since his passing.
Before joining FM, I’d played a Stratocaster, but it didn’t work with the band’s preexisting sound, so I switched to a Les Paul. The Les Paul wasn’t well suited to a finger style, so after a year or so I asked Rick Turner to design a guitar for me... https://t.co/VnE2NZV7Wh— Lindsey Buckingham (@LBuckingham) November 19, 2018
Before joining FM, I’d played a Stratocaster, but it didn’t work with the band’s preexisting sound, so I switched to a Les Paul. The Les Paul wasn’t well suited to a finger style, so after a year or so I asked Rick Turner to design a guitar for me... https://t.co/VnE2NZV7Wh
that would be full like a Les Paul and percussive like a strat. That was the Model 1!— Lindsey Buckingham (@LBuckingham) November 19, 2018
that would be full like a Les Paul and percussive like a strat. That was the Model 1!
I haven’t used the white Les Paul in the studio or on stage in years. I think I got it out of my system! https://t.co/H6VRRm2Wjj— Lindsey Buckingham (@LBuckingham) November 19, 2018
I haven’t used the white Les Paul in the studio or on stage in years. I think I got it out of my system! https://t.co/H6VRRm2Wjj
For me the best audiences are those that are able to take in certain songs thoughtfully and deeply, while still letting it all hang out at other times during the set! https://t.co/ivfEYg66x2— Lindsey Buckingham (@LBuckingham) November 19, 2018
For me the best audiences are those that are able to take in certain songs thoughtfully and deeply, while still letting it all hang out at other times during the set! https://t.co/ivfEYg66x2
Yes, some of my songs are influenced by the sensibilities and structure of classical pieces. Time Precious Time is certainly one of them. https://t.co/AcuV168gax— Lindsey Buckingham (@LBuckingham) November 19, 2018
Yes, some of my songs are influenced by the sensibilities and structure of classical pieces. Time Precious Time is certainly one of them. https://t.co/AcuV168gax
I don’t have a single favorite guitarist. But I tend to gravitate towards those kind of guitarists who integrate their style into the structure and embodiment of the song, who approach their playing in service of making the overall more effective. https://t.co/JX66kMW0jn— Lindsey Buckingham (@LBuckingham) November 19, 2018
I don’t have a single favorite guitarist. But I tend to gravitate towards those kind of guitarists who integrate their style into the structure and embodiment of the song, who approach their playing in service of making the overall more effective. https://t.co/JX66kMW0jn