Quote:
Originally Posted by bombaysaffires
As much as you love L&O, I found it disjointed and sorta like a collection of outtakes and random experiments. One review referred to him on that album as a something like a smirking brat, and one called him the 'enfant terrible' of the band. Probably not wrong. He was a bit of an incoherent d*ck on it, really.
There's a maturity to OOTC that is severely lacking on L&O.
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Yes, yes, I understand your point. That dickiness is exactly what I think works on the album because it explodes the bottle. Think of it in movie terms. Maybe like Marco Bellocchio — a bratty little dickhead genius — and his first feature,
Fists in the Pocket. He is saying, “Up yours, Catholic Church!” and then making us laugh and shocking us at the same time. Nobody expects that approach. Thoughts?